Stories of Courage, Redemption, and Pee
By Sarah Silverman
(Harper, Hardcover, 9780061856433, 256pp.)
Publication Date: April 20, 2010
List Price: $25.99*
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Warning from publisher to reader:
At HarperCollins, we are committed to customer satisfaction. Before proceeding with your purchase, please take the following questionnaire to determine your likelihood of enjoying this book:
1. Which of the following do you appreciate?(a) Women with somewhat horse-ish facial features.
(b) Women who, while not super Jew-y, are more identifiably Jewish than, say, Natalie Portman.
(c) Frequent discussion of unwanted body hair.
2. Are you offended by the following behavior?(a) Instructing one's grandmother to place baked goods in her rectal cavity.
(b) Stripping naked in publiceleven times in a row.
(c) Stabbing one's boss in the head with a writing implement.
3. The best way to treat an emotionally fragile young girl is:(a) Murder the main course of her Thanksgiving dinner before her very eyes.
(b) Tell her that her older sister is prettier than she, and then immediately die.
(c) Prevent her suicide by recommending she stay away from open windows.
If you read the above questions without getting nauseous or forming a hate Web site, you are ready to buy this book! Please proceed to the cashier.
Sarah Silverman is the co-creator and star of The Sarah Silverman Program. She won an Emmy in 2009 for her video I'm F***ing Matt Damon, and was nominated for a Primetime Emmy for her role on The Sarah Silverman Program. Silverman lives in Los Angeles with her dog, Duck, presuming he does not die prior to publication, which is moderately to extremely likely.
Comedian Sarah Silverman is known for delivering closely observed social commentary in a disarming, politically incorrect style. She tells stories about her childhood and her career in a new memoir, The Bedwetter: Stories of Courage, Redemption and Pee. More at NPR.org
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“It’s irreverent, funny and sometimes winningly serious…. Though Silverman’s book provides her customary shock-and-awe humor ... it is Silverman’s honesty and vulnerability that are most surprising.”
-Los Angeles Times
“Without curtailing her trademark potty-mouth humor and shock tactics, comedian Sarah Silverman has written a memoir that’s sweet, funny, real and, dare I say it, occasionally even touching… Silverman’s book suggests that, behind the cute face and dirty mouth, there’s a clever woman with a warm heart.”
-Milwaukee Journal Sentinel
“Readers...get a fully realized portrait of Silverman: tales from a youth spent moistening mattresses and fighting depression in New Hampshire; her salad days as a struggling comedienne in New York; and the various trials that have come with being the filthiest, funniest woman on television.”
“In this book, as onstage, she has the power to shock—not so easy in these times. Lenny Bruce and Richard Pryor crossed lines; now that the controversy has faded, we remember their genius. And so we will with Sarah Silverman.”
“Deftly mixes the spit-take funny stuff with an unsentimental but enlightened look back at her not-so-charmed life and career.”
“Hilarious memoir...Silverman never shies away from poking fun at her own expense. Though she’s best known for sexually explicit jokes, Silverman is able to address more serious subjects in the book without losing her edge, particularly her teenage struggle with depression.”
-Publishers Weekly (starred review)
“An engrossing (and grossing) journey from childhood to childish adulthood.... Silverman’s standup, normally marked by a detached persona and thick outer layer of snark and irony, is off-putting for some, but here she hits previously unseen levels of honesty and sincerity while still retaining her expected level of filth.”
“Odd, shambling, and funny... as close to an explanation of Silverman and her comedy as we’re likely to get. It seems to be saying, Obviously I’m joking, but it’s also me up there.”
-New York magazine
“Often hilarious and occasionally revelatory.… More than just a collection of gags and stand-up leftovers, ‘The Bedwetter’ is a mostly cohesive narrative of how a rebellious comic perspective evolved and became inseparable from the person who employs it, and how anyone who could find offense in that is really the butt of the joke.”
-New York Times