Harper Paperbacks, Paperback, 9780062068255, 417pp.
Publication Date: September 20, 2011
At New York's JFK Airport, an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane and what he finds makes his blood run cold.
A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like all-consuming wildfire lethal, merciless, hungry . . . vampiric. And in a pawnshop in Spanish Harlem, an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here.
In one week, Manhattan will be gone. In one month, the country. In two months . . . the world.
Nacido y criado en Guadalajara, Mexico, Guillermo del Toro ha dirigido muchas peliculas exitosas, incluso El laberinto del Fauno. Va a dirigir dos peliculas basadas en El Hobbit, que seran producidas por Peter Jackson.
Chuck Hogan is the author of several acclaimed novels, including Devils in Exile and Prince of Thieves, which won the 2005 Hammett Award, was called one of the ten best novels of the year by Stephen King, and was the basis of the motion picture The Town.
Chuck Hogan es autor de varias aclamadas novelas, entre las cuales se encuentra Prince of Thieves que gano el Hammett Award 2005 y que fue considerada una de las diez mejores novelas del ano por Stephen King.
“[One of] the most original and powerful filmmakers working today.”
-The Hollywood Reporter
“His distinctive creatures and otherwordly parables use the realms of fantasy to explore fundamental human issues such as love, alienation, weakness and, of course, fear… [He is] a master of monsters.”
“A cinematic magician who has never lost his childlike sense of wonder.”
-Peter Jackson and Fran Walsh in Associated Press
“[An] amazing writer and director. . . . Pan’s Labyrinth places Mr. del Toro in the first rank of world filmmakers.”
-New York Times
“He elevated gothic horror to art. . . . Bilingual, bicultural, multigenre, he has a voice that feels both fresh and ancient.”