Instruments of Darkness

Instruments of Darkness Cover

Instruments of Darkness

By Imogen Robertson

Penguin Books, Paperback, 9780143120407, 373pp.

Publication Date: December 27, 2011

The first novel in the Westerman and Crowther historical crime series that "The New York Times Book Review" called "CSI: Georgian England" and Tess Gerritsen called "chillingly memorable"
Debut novelist Imogen Robertson won the London "Telegraph"'s First Thousand Words of a Novel competition in 2007 with the opening of "Instruments of Darkness." The finished work is a fast-paced historical mystery starring a pair of amateur eighteenth-century sleuths with razor-sharp minds. When Harriet Westerman, the unconventional mistress of a Sussex manor, finds a dead man on her grounds, she enlists reclusive anatomist Gabriel Crowther to help her find the murderer. Moving from drawing room to dissecting room, from dark London streets to the gentrified countryside, "Instruments of Darkness" is a gripping tale of the forbidding Thornleigh Hall and an unlikely forensic duo determined to uncover its deadly secrets.

About the Author
Imogen Robertson is a former television, film, and radio director and the author of Instruments of Darkness and The Anatomy of Murder.

Praise For Instruments of Darkness


“Robertson’s enjoyment of the period and her characters is infectious.”—The New York Times Book Review (Editor’s Choice)

“Every so often I encounter a book that makes me think with envy: ‘How I wish I could have written this story!’ Instruments of Darkness is just that book—poetic, enchanting, and chillingly memorable. Imogen Robertson is an exquisite writer, and this is an extraordinary novel.”
Tess Gerritsen, bestselling author of Last to Die

“Mayhem runs amok in this period thriller. [Robertson] pulls out all the stops . . . [a] roaring soap opera of a novel.”
The Washington Times

“Impressive . . . Robertson has a wicked way with suspense. A ripping homage to Dickens, Austen, and Conan Doyle, Instruments of Darkness will keep you up at night, and then, like me, waiting for the sequel.”
Seattle Times