The Anthology of Rap

By Adam Bradley (Editor); Andrew DuBois (Editor); Henry Louis Jr. Gates (Foreword by)
(Yale University Press, Hardcover, 9780300141900, 920pp.)

Publication Date: November 1, 2010

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Description

From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential musical and cultural forces of our time. In "The Anthology of Rap," editors Adam Bradley and Andrew DuBois explore rap as a literary form, demonstrating that rap is also a wide-reaching and vital poetic tradition born of beats and rhymes.

This pioneering anthology brings together more than three hundred rap and hip-hop lyrics written over thirty years, from the "old school" to the "golden age" to the present day. Rather than aim for encyclopedic coverage, Bradley and DuBois render through examples the richness and diversity of rap's poetic tradition. They feature both classic lyrics that helped define the genre, including Grandmaster Flash & the Furious Five's "The Message" and Eric B. & Rakim's "Microphone Fiend," as well as lesser-known gems like Blackalicious's "Alphabet Aerobics" and Jean Grae's "Hater's Anthem."

Both a fan's guide and a resource for the uninitiated, "The Anthology of Rap" showcases the inventiveness and vitality of rap's lyrical art. The volume also features an overview of rap poetics and the forces that shaped each period in rap's historical development, as well as a foreword by Henry Louis Gates, Jr., and afterwords by Chuck D and Common. Enter the "Anthology" to experience the full range of rap's artistry and discover a rich poetic tradition hiding in plain sight.




About the Author

Adam Bradley is associate professor of English at the University of Colorado and the author of Book of Rhymes: The Poetics of Hip-Hop and Ralph Ellison in Progress. He is also co-editor of Ralph Ellison’s unfinished second novel, Three Days Before the Shooting. Andrew DuBois is associate professor of English at the University of Toronto Scarborough and the author of Ashbery’s Forms of Attention. He is also co-editor of Close Reading: The Reader.





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