The Sonderberg Case
The Sonderberg Case
Knopf Publishing Group, Hardcover, 9780307272201, 177pp.
Publication Date: August 24, 2010
Despite personal success, Yedidyah a theater critic in New York City, husband to a stage actress, father to two sons finds himself increasingly drawn to the past. As he reflects on his life and the decisions he's made, he longingly reminisces about the relationships he once had with the men in his family (his father, his uncle, his grandfather) and the questions that remain unanswered. It's a feeling that is further complicated when Yedidyah is assigned to cover the murder trial of a German expatriate named Werner Sonderberg. Sonderberg returned alone from a walk in the Adirondacks with an elderly uncle, whose lifeless body was soon retrieved from the woods. His plea is enigmatic: Guilty . . . and not guilty.
These words strike a chord in Yedidyah, plunging him into feelings that bring him harrowingly close to madness. As Sonderberg's trial moves along a path of dizzying yet revelatory twists and turns, Yedidyah begins to understand his own family's hidden past and finally liberates himself from the shadow it has cast over his life.
With his signature elegance and thoughtfulness, Elie Wiesel has given us an enthralling psychological mystery, both vividly dramatic and profoundly emotional.
Catherine Temerson is the author and translator of over a dozen books. Her most recent translations include Amin Maalouf's Origins, Elie Wiesel's A Mad Desire to Dance, Florence Noiville's Isaac B. Singer: A Life and Hiner Saleem's My Father's Rifle: A Childhood in Kurdistan.
“Elie Wiesel continues to be a voice of modern humanity’s conscience with his latest work, a beautifully layered book . . . [In The Sonderberg Case] the Nobel Laureate exploits his greatest strength: words beaming through the window that peers into the author’s soul. For a brief moment of holy catharsis, we become Wiesel.”
-Francis RTM Boyle, Time Out New York
“From the first clear, simple sentence, melancholy hangs over the story, always permeating the author’s voice . . . The theme of the Jew today confronting his own family history remains powerful.”
“Wiesel’s latest novel is full of questions . . . Is Sonderberg guilty? The answer is satisfying if not surprising, a good description of this musing, almost fablelike work.”
“Ambitious . . . Compelling.”