Sweet Judy Blue Eyes
Sweet Judy Blue Eyes
My Life in Music
Random House Audio Publishing Group, Compact Disc, 9780307941329, 9pp.
Publication Date: October 18, 2011
A vivid, highly evocative memoir of one of the reigning icons of folk music, highlighting the decade of the ’60s, when hits like “Both Sides Now” catapulted her to international fame.
Sweet Judy Blue Eyes is the deeply personal, honest, and revealing memoir of folk legend and relentlessly creative spirit Judy Collins. In it, she talks about her alcoholism, her lasting love affair with Stephen Stills, her friendships with Joan Baez, Richard and Mimi Fariña, David Crosby, and Leonard Cohen and, above all, the music that helped define a decade and a generation’s sound track.
Sweet Judy Blue Eyes invites the reader into the parties that peppered Laurel Canyon and into the recording studio so we see how cuts evolved take after take, while it sets an array of amazing musical talent against the backdrop of one of the most turbulent decades of twentieth-century America.
Beautifully written, richly textured, and sharply insightful, Sweet Judy Blue Eyes is an unforgettable chronicle of the folk renaissance in America.
Judy Collins has thrilled audiences for nearly five decades with her magnificent voice and thoughtful interpretations. Many of Collins's albums have been certified platinum and her version of Joni Michell's "Both Sides Now'has been entered into the Grammy Hall of Fame. Her rendition of Stephen Sondheim's "Send in the Clowns" won Grammy's Song of the Year in 1975. Judy's film about Antonia Brico, was nominated for an Academy Award in 1974. Brico was Judy's calssical piano teacher when she was young and was the first woman to conduct major symphonies around the world. In 2000, Judy founded her own record label, Wildflower Records.
“…a fascinating and even harrowing musical and personal reflection.” --Kirkus
“Collin’s improbable and utterly charming tale of assuming iconic status as a popular music star from the early 1960’s onward also proves a tremendously valuable chronicle of the early folk music scene…[A] forthright, radiant work.” –Publisher’s Weekly (Starred Review)