Truth Like the Sun
By Jim Lynch
(Vintage, Paperback, 9780307949349, 272pp.)
Publication Date: January 22, 2013
Other Editions of This Title: Hardcover
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A classic and hugely entertaining political novel, the cat-and-mouse story of urban intrigue in Seattle both in 1962, when Seattle hosted the World's Fair, and in 2001, after its transformation in the Microsoft gold rush.
Larger than life, Roger Morgan was the mastermind behind the fair that made the city famous and is still a backstage power forty years later, when at the age of seventy he runs for mayor in hopes of restoring all of Seattle's former glory. Helen Gulanos, a reporter every bit as eager to make her mark, sees her assignment to investigate the events of 1962 become front-page news with Morgan's candidacy, and resolves to find out who he really is and where his power comes from: in 1962, a brash and excitable young promoter, greeting everyone from Elvis Presley to Lyndon Johnson, smooth-talking himself out of difficult situations, dipping in and out of secret card games; now, a beloved public figure with, it turns out, still-plentiful secrets. Wonderfully interwoven into this tale of the city of dreams are backroom deals, idealism and pragmatism, the best and worst ambitions, and all the aspirations that shape our communities and our lives.
JIM LYNCH has received the H. L. Mencken Award and a Livingston Award for Young Journalists, among other national honors. His most recent novel, Border Songs, won the Washington State Book Award and is currently being adapted for television.
In Truth Like The Sun, author Jim Lynch traces the growth of Seattle after it hosted the 1962 World's Fair. The novel deals with themes of idealism versus pragmatism and high idealism versus raw ambition. More at NPR.org
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“A flat-out great read with the spirit of a propulsive, character-driven 1970s movie…. Mr. Lynch pairs unlikely antagonists: an old-school political fixer blessed with immense charm, and an overeager newspaperwoman whose research, done in 2001, has the power to destroy him. They never behave predictably, and their showdown lingers long after Mr. Lynch’s story is over.” —Janet Maslin’s 10 Favorite Books of 2012, The New York Times
“A terrific two-track novel that alternates between—and unites—the story of Seattle in 1962, just as the Space Needle is reaching the sky, and the city’s post-dot-com gloom in 2001. The book is beautifully plotted, textured, and paced.” —Thomas Mallon, The Washingtonian
“A rich and engaging tale, with complex characters and a plot seamlessly interwoven with the history of Seattle [and] also the topics of ambition, corruption, the Cold War, and big-time newspaper journalism on the wane. The protagonists are a flawed and likeable pair that grudgingly admire each other, and the truth turns out to be elusive, often obscured by the clouds of memory and the need to sell newspapers. Anyone interested in the city, political intrigue stories, or just plan good writing should enjoy this book.” —Nancy Fontaine, The Seattle Post-Intelligencer
“This serious but charming rather old-fashioned sort of book about complicated folks in the midst of life's struggles is just big enough to embrace a number of important themes and topics - the making of the fair, the rise and fall of big city journalism, local politics, the details of history - and just small enough to make all of this quite intimate and engaging.” —Alan Cheuse, NPR
“A tremendously entertaining yet serious political novel… As with any fine work of art, it’s hard to divine just why this novel works so well. And, as with such art, there’s a lot more going on than appears on the surface. I dislike terms like ‘instant classic’ but this comes awfully close.” —Richard Sherbaniuk, The Edmonton Journal
“Propulsive… The poetic intensity of Lynch’s descriptions perfectly balances the restless, relentless pace of a novel that never loosens its grip.” —Anna Lundow, The Christian Science Monitor
"A beautifully crafted, fictional remembrance of the Seattle World's Fair and a cleverly plotted tale of the very public death of one man's political ambitions....Lynch is a sparkling host, rendering history in glorious technicolor and the recent past in absolute and black-and-white moral tones." —Nick March, The National [U.K.]
“Alternating between the two periods, Jim Lynch’s novel is a brilliantly disturbing dissection of political morality, where right and wrong are, like Seattle itself, blurred in a grey mist.” —John Harding, Daily Mail [U.K.]
“A swirling portrait of a place, like many a Western city, that’s equal parts hucksterism, genuine civilizational hope, profiteering racket and progressive mecca, Truth Like the Sun deserves attention and will reward reflection.” —M. Allen Cunningham, The Oregonian
“This brisk, bustling and good-humored work [is] taut and accomplished. . . clever and propulsive.” —Jenny Shank, The Dallas Morning News
“A story of civic pride, political intrigue and journalistic tenacity. . . Any reader interested in the relationship between any town and its most enthusiastic participants will respond to this engaging story.” —Ron Charles, The Washington Post
“A consummate stylist….The obvious cultural touch point for Lynch’s novel is Citizen Kane, [and] readers are confronted with the American obsession with ambition is all its tarnished glory.” – Christian House, The Independent [U.K.]
"Addictive....Told in chapters that alternate between two eras, its prose reflects the two moods: 1962 sparkles like an old-time midway, crammed with celebrity cameos, souvenir Champagne glasses and fast-talking men in hats; 2001 feels reflective and a little world-weary, a city once bitten and now twice shy." —Moira Macdonald, The Seattle Times
"Enveloping and propulsive....Lynch's twosome, a 30-ish newspaper reporter and the much older bon vivant who is known unofficially as "Mr. Seattle" are such fine creations that they can't be reduced thumbnail descriptions....There is much marveling to be done as Truth Like the Sun unfolds. Lynch captures the excitement of a fair that proudly showed off the world of tomorrow but inadvertently revealed more than it should have." —Janet Maslin, The New York Times
“A briskly paced novel that gives us an insider’s view into both the politics of culture and the culture of politics.” —Kirkus
“Often funny and sometimes devastating but always to the point, Truth Like the Sun reflects back on the 1962 World’s Fair that put Seattle on the map. With the keen eye of the journalist he was and the nimbleness of the novelist he has become, Jim Lynch provides a thought-provoking fictional portrait of a city on the make and its somewhat tarnished tribe of civic strivers.” —Ivan Doig
“This book is one of a kind, and a great story. At a time when Seattle is celebrating the anniversary of the World’s Fair, Lynch’s novel is a bracing reminder of the larger context: an uncertain city hoping to make a mark in mid-century, and then figuring out where it is in a more globalized world forty years later. It’s smart – and unique – to link these with one wonderfully rendered character, still trying to have a hand in how his city will go.” – Rick Simonson, Elliott Bay Book Company
“Truth Like the Sun, read after Jim Lynch's celebrated Highest Tide, confirms the tidal wave of his talent. Set again in the Pacific Northwest he has explored in such depth and variety, this is a city story all the way. Ambition, payoff, anxiety, payback, decadence and revenge dominate Seattle's story during the World's Fair of 1962 and thirty-nine years later, during the crest of the dot.com boom and not many weeks before the World Trade Center—the Other Coast's Space Needle—endured the mother of all collapses. Lynch's power of concentration depends on his respect for quiddities. His detailing of the moment-to-moment stratagems of a reporter stalking a political big-foot, and of the big-foot's bravura evasions—the hunt proceeding throughout the storied and exotic environment of any right-minded person's favorite city—is thrilling.” —Geoffrey Wolff
“Jim Lynch writes of the city where I live with great brio and persuasiveness. The joinery between the two halves of the narrative [1962 and 2001] is seamless. His handling of the light, just-between-friends style of routine civic graft in the 1960s seems dead-on, and his only-slightly alternative history of the city is at least as plausible as the official version. His people live and breathe on the page. I was engrossed throughout.” —Jonathan Raban