The Age of Innocence

By Edith Wharton
(Vintage Books, Paperback, 9780307949516, 308pp.)

Publication Date: June 5, 2012

List Price: $9.95*
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Description

One of Edith Wharton's most famous novels--the first by a woman to win the Pulitzer Prize--exquisitely details a tragic struggle between love and responsibility in Gilded Age New York.
Newland Archer, an aristocratic young lawyer, is engaged to the cloistered, beautiful May Welland. But when May's cousin Ellen arrives from Europe, fleeing her failed marriage to a Polish count, her worldly and independent nature intrigues and unsettles Archer. Trapped by his passionless relationship with May and the social conventions that forbid a relationship with the disgraced Ellen, Archer is torn between possibility and duty. Wharton's profound understanding of her characters' lives makes the triangle of Archer, May, and Ellen both urgent and poignant. An incisive look at the ways desire and emotion must negotiate the complex rules of society, "The Age of Innocence" is one of Wharton's most moving works.




About the Author
Edith Wharton (1862-1937), American novelist and short-story writer, was born in New York City. Strongly influenced by Henry James, she is best known for her subtle and su-perbly crafted studies of the tragedies and ironies in the lives of members of middle-class and artistocratic New York soci-ety in the the nineteenth century. She was educated in New York and Europe, and married Edward Wharton, a Boston banker, in 1885. When her husband became mentally ill, she cared for him until 1913, when she settled permanently in France and divorced him. Among her best and most characteristic works are The House of Mirth (1905) and The Age of Innocence (1920), for which she received a Pultizer prize.


Praise For The Age of Innocence

"There is no woman in American literature as fascinating as the doomed Madame Olenska. . . . Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature." --Gore Vidal

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