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 A Picador Paperback Original
 How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers. The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V. S. Naipaul, Jeffrey Eugenides, A. S. Byatt, T. C. Boyle, William T. Vollmann, and many other great writers of the past half century. Some of the magazine's greatest hits have been collected in The Paris Review Book of People with Problems as well as The Paris Review Book for Planes, Trains, Elevators, and Waiting Rooms and The Paris Review Book of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, the Art of Writing, and Everything Else in the World Since 1953.
 
Philip Gourevitch is the editor of The Paris Review, a staff writer for The New Yorker, and the author of A Cold Case and We Wish to Inform You That Tomorrow We Will Be Killed with Our Families: Stories from Rwanda, winner of the National Book Critics Circle Award. A San Francisco Chronicle Best Book of the Year How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book—"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"—The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have become works of literature, records of the writing life. They have won the George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces a selection of sixteen of the most celebrated interviews. These encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. "The most remarkable and extensive interviewing project we possess . . . For 50 years The Paris Review has been talking to writers, in one long session, or several sessions, or recurring sessions spaced years apart . . . The Paris Review Interviews, I is a series of excursions, alternately purposeful and capricious, with side trips, stops for tea and mystifications . . . We end up knowing them not as subjects but as fellow day-trippers, and it is they, not the interviewer, who lead the trip."—Richard Eder, The New York Times "The Paris Review Interviews . . . is a small treasure. The interviews are literary landmarks, and the gossip, humor, ideas and practical advice dispensed are bracing. Each of these conversations . . . are carefully crafted and bring with them something of the heft of literature."—Oscar Villalon, San Francisco Chronicle "There are so many potential points of entry to The Paris Review Interviews, vol. I—this jewel box of a collection of in-depth chats on the craft of writing—that one hardly knows where to begin. . . . [The] candid comments . . . are well worth the price of admission. . . . [An] indispensable collection."—San Francisco Chronicle
 
"Utterly absorbing. . . . They are all fascinating and often quite funny."—Katherine A. Powers, The Boston Globe
 
"The finest series of interviews with anyone published in America—not just irresistible to anyone interested in literature but anyone who responds at all to the Art of the Interview. . . . So many of these are classics of their kind. . . . As the saying goes, they're full of pith and vinegar - funny, profound and poetic and fundamentally unlike any attempted replication elsewhere."—Jeff Simon, The Buffalo News (Editor’s Choice) "For bibliophiles, a glimpse into Ernest Hemingway's work space (the corner of a bedroom in a Havana house), which he offered The Paris Review's George Plimpton, is akin to the Virgin Mary opening up her home in Bethlehem to Cribs. Since its inception in 1953 on a Left Bank barge, The Paris Review has remained a handbook to the literati, and its extensive author interviews are as storied as the magazine itself: Q&A's drawn from a sit-down and correspondence, and, in an unprecedented move, returned to the subject for review and expansion—a format much copied today, from The Believer to Playboy. They've finally been collected in The Paris Review Interviews, vol. I . . . Here, Hemingway talks horseracing; Dorothy Parker reveals a predilection for choosing character names from the phone book and obituaries; and Saul Bellow can't escape the chaos of modern city life—just a few of many insights gleaned from the most influential writers of the 20th century."—Seattle Weekly "The unguarded moment . . . that's the holy grail for any interviewer trying to discover what makes a writer tick. The Paris Review has a long history of delivering such moments in the author interviews it has conducted over the past half century."—Michael Upchurch, The Seattle Times 

"As The Paris Review Interviews reveals, there is an art to the interview and a value to what it brings. The Review's interview series . . . serves as a kind of public record. . . . In the best interviews, the exchange of question and answer brings the authors to life, as if their voices had been recorded."—The Wall Street Journal

 "The Paris Review Interviews, vol. I is the sort of book that makes one anticipate an evening in a comfy chair with a good glass of wine within easy reach."—The Tampa Tribune "[Read] The Paris Review Interviews I