By Chelsea Cain
(Minotaur Books, Paperback, 9780312657819, 336pp.)
Publication Date: July 20, 2010
In Chelsea Cain’s bestselling series debut, Portland detective Archie Sheridan has spent years tracking Gretchen Lowell, a beautiful serial killer. In the end she was the one who caught him, but after torturing him for days she mysteriously let him go and turned herself in. Since then the she has been locked up, leaving Archie damaged but alive in a prison of another kind—addicted to pain pills, unable to return to his old life, powerless to get those ten horrific days or Gretchen off his mind.
When another killer begins snatching teenage girls off the streets, Archie has to pull himself together to head up a new task force, but even then he can’t stop him without getting information from Gretchen—an encounter that may destroy him.
With Susan Ward, a hungry young newspaper reporter, profiling Archie and his team, Archie, the killer, and Gretchen enter into a dark and deadly game. Each novel in Chelsea Cain’s scorching series leaves readers wanting more of the twisted and destructive relationship introduced in Heartsick.
Chelsea Cain is the New York Times bestselling author of The Night Season, Evil at Heart, and Sweetheart. Both Heartsick and Sweetheart were listed in Stephen King’s Top Ten Books of the Year in Entertainment Weekly. Chelsea lived the first few years of her life on an Iowa commune, then grew up in Bellingham, WA, where the infamous Green River killer was “the boogieman” of her youth. The true story of the Green River killer’s capture was the inspiration for the story of Gretchen and Archie. Cain lives in Portland with her husband and daughter.
Praise for Heartsick
“One of the most seductive and original psychopaths since Hannibal Lecter.”
“Heartsick is a dizzying novel. Lurid and suspenseful with well-drawn characters, plenty of grisly surprises, and tart dialogue, it delivers.”
—The New York Times Book Review
“A distinctive and disturbing novel that blurs the lines between suspense fiction and psychological suspense.”
“Steamy and perverse.”
—The New York Times