The Language of Flowers

The Language of Flowers

By Vanessa Diffenbaugh

Ballantine Books, Paperback, 9780345525550, 368pp.

Publication Date: April 3, 2012


The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it's been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what's been missing in her life. And when she's forced to confront a painful secret from her past, she must decide whether it's worth risking everything for a second chance at happiness.
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Praise For The Language of Flowers

“Instantly entrancing.”—Elle
“[An] original and brilliant first novel . . . a mesmerizing storyteller . . . I would like to hand Vanessa Diffenbaugh a bouquet of bouvardia (enthusiasm), gladiolus (you pierce my heart) and lisianthus (appreciation). . . . And there is one more sprig I should add to her bouquet: a single pink carnation (I will never forget you).”—Brigitte Weeks, The Washington Post
“A captivating novel in which a single sprig of rosemary speaks louder than words . . . The Language of Flowers deftly weaves the sweetness of newfound love with the heartache of past mistakes. . . . [It] will certainly change how you choose your next bouquet.”—Minneapolis Star Tribune
“Fascinating . . . Diffenbaugh clearly knows both the human heart and her plants, and she keeps us rooting for the damaged Victoria.”—O: The Oprah Magazine (book of the week)
“Diffenbaugh effortlessly spins this enchanting tale, making even her prickly protagonist impossible not to love.”—Entertainment Weekly
“Compelling . . . immensely engaging . . . unabashedly romantic . . . an emotional arc of almost unbearable poignance.”—The Boston Globe