Forty-One False Starts

Essays on Artists and Writers

By Janet Malcolm; Ian Frazier (Introduction by)
(Farrar Straus Giroux, Hardcover, 9780374157692, 298pp.)

Publication Date: May 7, 2013

List Price: $27.00*
* Individual store prices may vary.
Shop Local
Enter your zip code below to find indies closest to you.

Go


Description

A National Book Critics Circle Finalist for Criticism

A deeply Malcolmian volume on painters, photographers, writers, and critics.

Janet Malcolm's "In the Freud Archives "and "The Journalist and the Murderer," as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction--as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in "The Boston Globe," "able to turn epiphanies of perception into explosions of insight."

Here, in "Forty-one False Starts," Malcolm brings together essays published over the course of several decades (largely in "The New Yorker "and "The New York" "Review of Books") that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual "and "literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction--a book of reporting, an article in a magazine, something we see every day--can rise to the highest level of literature."

One of "Publishers Weekly"'s Best Nonfiction Books of 2013.




About the Author
Janet Malcolm is the author of numerous books, including "The Silent Woman", "Psychoanalysis: The Impossible Profession", and "In the Freud Archives". She has been writing for the "New Yorker" since 1963, including nearly ten years writing "About the House," a column on interiors and design. Janet lives in New York.

Ian Frazier is the author of Travels in Siberia, Great Plains, On the Rez, Lamentations of the Father and Coyote V. Acme, among other works, all published by Farrar, Straus and Giroux. He graduated from Harvard University. A frequent contributor to "The New Yorker", he lives in Montclair, New Jersey.
Indie Bookstore Finder
EBbooks and EReaders
Find great gifts: Signed books
Link to IndieBound






Update Profile