Full of Noises: Conversations with Tom Service
Farrar Straus Giroux, Hardcover, 9780374276324, 188pp.
Publication Date: October 16, 2012
Composer, conductor, and pianist, Thomas Ades is one of the most diversely talented musical figures of his generation. His music is performed by great opera companies, symphony orchestras, chamber groups, and music festivals throughout the world. But Ades has resisted public discussion of the creative process behind his musical compositions. Until now, the interior experience that has fired the spectrum of his work from his first opera, "Powder Her Face," to his masterpiece "The Tempest "and his acclaimed orchestral works "Asyla "and "Tevot" has largely remained unexplained. Here, in spirited, intimate, and, at times, contentious conversations with the distinguished music critic Tom Service, Ades opens up about his work. "For Ades, whose literary and artistic sensibilities are nearly as refined and virtuosic as his musical instincts," writes Service, "inhabiting the different territory of words rather than notes offers a chance to search out new creative correspondences, to open doors a phrase he often uses into new ways of thinking in and about music."
The phrase "full of noises," from Caliban's speech in "The Tempest," refers both to the sounds "swirling around" Ades's head that are transmuted into music and to the vast array of his musical influences from Sephardic folk music, to 1980s electronica, to Ades's passion for Beethoven and Janacek and his equally visceral "dislike "of Wagner. It also suggests "the creative friction" essential to any authentic dialogue. As readers of these "wilfully brilliant" conversations will quickly discover, "Thomas Ades: Full of Noises "brings us into the "revelatory kaleidoscope" of Ades's world.
“Energetic, honest, and warm, these conversations between friends reveal the intricacies of the creative process and a deep and abiding love of music.”
“Traverse[s] much of the geography of classical music, then and now . . . Arresting and memorable.”
“Thomas Adès: Full of Noises is a brilliant self-analytical plunge into the mind of one of our greatest artists, the composer Thomas Adès, for whom composing begins with musical notes slipping and sliding across a sheet of paper with a will of their own, and writing an opera feels like swimming alone in a deep ocean. This book is a probing guide to the creative process, as virtuosic in its way as one of Adès’s musical compositions.”
—Peter Gelb, general manager, Metropolitan Opera
“[Adès] has outgrown his status as the wunderkind of a vibrant British scene and become one of the most imposing figures in contemporary classical music.”
—Alex Ross, The New Yorker
“[Adès] is one of the most accomplished and complete musicians of his generation.”
—Anthony Tommasini, The New York Times
“Even as the UK is brimming with wonderful young composers, I think few would dispute that Tom Adès may be the most extravagantly gifted of them all.”
—Sir Simon Rattle, Gramophone