The Fire Witness
The Fire Witness
Sarah Crichton Books, Hardcover, 9780374298661, 497pp.
Publication Date: July 2, 2013
The authors of "The Hypnotist "and "The Nightmare "deliver their most thrilling novel yet
Flora Hansen calls herself a medium and makes a living by pretending to commune with the dead. But after a gruesome murder at a rural home for wayward girls, Hansen begins to suffer visions that are all too real. She calls the police, claiming to have seen a ghost, but only one detective puts aside his skepticism long enough to listen: Joona Linna.
Linna has spent more time at the scene of the crime than any other detective would. The case seems obvious on the face of it: One of the girls at the home escaped in the middle of the night, leaving behind a bloody bed with a hammer under the pillow. But why does Hansen insist that the murder instrument was a stone, not a hammer? And what's the story behind the dark red grain of sand, almost like a splinter from a ruby, stuck beneath the dead girl's fingernail? As Linna refuses to accept easy answers, his search leads him into darker, more violent territory, and finally to a shocking confrontation with a figure from his past.
Just as Lars Kepler's "The Hypnotist" and "The Nightmare" did, "The Fire Witness" has spent months at number one on the Swedish bestseller lists. As the newspaper "Dagens Nyheter" put it, you start the thriller "on the subway home, keep reading at the dinner table, and then don't stop until well into the wee hours." Kepler writes with the force of Stieg Larsson and the plotting of Jo Nesbo. "The Fire Witness" is an unflinching page-turner, sure to join the ranks of its predecessors as an international sensation.
Praise for Lars Kepler
“Action-oriented, inventive, with over-the-top plots and larger-than-life heroes and criminals.” —Los Angeles Times Magazine
“[Kepler’s] ability to inhabit the workings of psychotic psyches is authentically shocking. Larsson is destined to have many heirs . . . Kepler is by far the best.” —Lev Grossman, Time
“Outrageously entertaining . . . Methadone for readers suffering from Stieg Larsson withdrawal.” —Laura Miller, Salon
“Kepler’s characters are admirably flawed . . . It’s a smooth collaboration . . . with frequent surprises and grace notes amid the carnage. With any luck, we’ll hear more of Lars Kepler.” —Patrick Anderson, The Washington Post