By Sam Lipsyte
(Farrar, Straus and Giroux, Hardcover, 9780374298913, 304pp.)
Publication Date: March 2, 2010
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Milo Burke, a development officer at a third-tier university, has "not been developing": after a run-in with a well-connected undergrad, he finds himself among the burgeoning class of the newly unemployed. Grasping after odd jobs to support his wife and child, Milo is offered one last chance by his former employer: he must reel in a potential donor--a major "ask"--who, mysteriously, has requested Milo's involvement. But it turns out that the ask is Milo's sinister college classmate Purdy Stuart. And the "give" won't come cheap. Probing many themes-- or, perhaps, anxieties--including work, war, sex, class, child rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, and the eroticization of chicken wire, The Ask is a burst of genius by a young American master who has already demonstrated that the truly provocative and important fictions are often the funniest ones.
Sam Lipsyte was born in 1968. He is the author of the story collection Venus Drive (named one of the top twenty-five books of its year by the Voice Literary Supplement) and the novels The Subject Steve and Home Land, which was a New York Times Notable Book and received the first annual Believer Book Award. He is also the recipient of a Guggenheim fellowship. He lives in New York City and teaches at Columbia University.
If you're the sort of person who underlines amusing or thought-provoking lines in books, you best gird yourself, as Lipsyte is an inexhaustible fount of eloquent prurience, deftly mingling high- and low-mindedness.
Lipsyte endows his narrator with a sharpness of wit and dexterity of language arguably unmatched in contemporary fiction.
[A] dark humorous satiric novel, a witty paean to white-collar loserdom.
The Ask is a novel deeply in tune with the asks and the gives of the current economy, and with a city whose boroughs are full of the walking wounded . . . It comes out in the author's supremely distinctive voice, particularly his knack for brutal curlicues of prose--extravagant linguistic flourishes that only make the lonely truths hidden inside more piercing.
The Ask eschews the shopworn conventions of modern fiction; it offers a rare and welcome departure from today's contrived, über-plotted novels written for the big screen. Here is a satire in its purest form . . . Lipsyte possesses the syntactical dexterity of a top brain surgeon . . . [and] manages, with breathtaking success, to render Milo's life so plausibly and with such sureness of hand and that the novel's wildest developments seem as inevitable as they are believable . . . You put down The Ask with that sinking feeling of loss that only the best reads can engender.
Sam Lipsyte's way with words is exceptional, his ability to turn a phrase dazzling . . . [The Ask] is powerful and certainly speaks to our times.
A biting, bilious and often brilliant book.
This melancholy book about a failed college fund-raiser is surely one of the best novels of the year.
2010 will also be remembered as the year when, thanks to a single book, the literary merit of that somewhat neglected beast, the comic novel, could no longer be denied: Sam Lipsyte's relentlessly and hilariously brilliant The Ask.
Sam Lipsyte wants you to shit your pants. By that I mean parts of The Ask are so sphincter-looseningly funny that you will want to invest in some adult undergarments before reading it. As the author of several previous novels, including the Believer Book Award-winning Home Land, Lipsyte has cultivated a well-earned reputation as our preeminent chronicler of the absurd. There isn't a funnier author working today. . . The carefully nuanced look at our own world, of our phobias and obsessions and stupidities, forces us to understand them all too clearly. The Ask is a hilarious book that poses serious questions and never, ever feels slight.