Publication Date: February 27, 2001
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This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, "The Black Swan," published in 1946, to his posthumous collection, "A Scattering of Salts," which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, "The Changing Light at Sandover." In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time.
Collected Poems in the first volume in a series that will present all of James Merrill's work his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come.
"The lyrics in Merrill's Collected Poems ought to last as long as people still care about poetry . . . poetry as alive as Merrill's is why people care." — David Gates, Newsweek
"Gigantic and ravishing . . . What this new volume provides, not without a small shock even to those familiar with Merrill, is the size and scope of his accomplishment . . . [A] monumental new collection." — Daniel Mendelsohn, New York Times Book Review
"Merrill . . . has been well-served by his executors and editors, McClatchy and Yenser . . . [In this collection] there's more than enough—in humor and sorrow, in tones of voice, in diction, in subjects--to keep one engaged for days, for years, for life. Reading Merrill is like reading Marvell or Keats or Dickinson; having his lines in mind is that unique thing, a voice that says somebody was here before." —Caroline Fraser, L.A. Times
"The Collected Poems . . . sensitively edited by JD McClatchy and Stephen Yenser . . . represents a major literary event." — Edmund White, Out Magazine
"If you like poetry composed (in Hopkin's words) in 'the current language heightened,' Merrill will please you . . . If you have despaired of finding words subtle enough for all that goes on between lovers over time; if you are delighted by poetic invention, Merrill will please you. If you are eager for a window into the pangs and pleasures of gay existence, or if you want to know what a person of ever-attentive receptivity might have seen between 1926 and 1995, Merrill will please you. Above all, if you value lightness of touch, Merrill will please you . . . The weight of the wreath is heavy on all poets, but Merrill rarely allowed the weight to be felt, or the wrinkles to show." — Helen Vendler, The New Yorker