Random House, Hardcover, 9780375505089, 246pp.
Publication Date: November 8, 2011
Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists principally Alexander Gardner and the photographers in Mathew Brady's studio were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.
The final list of subjects is perhaps a bit eccentric. Georgia O Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal, she says. It taught me to see again.
“Extraordinary images….When I leafed through Pilgrimage, I was astounded....I urge you to take a look at this remarkable and powerful book.”
--Anna Wintour, Vogue
“The view from the window of the greenhouse where Virginia Woolf wrote her novels, Thomas Jefferson’s vegetable garden at Monticello, an etching copied onto the walls of the Alcott family home in Massachusetts by May Alcott (the inspiration for Amy in Little Women) scale down our perception of these large personalities to intensely human dimensions and draw us into the intimate texture of their lives....Leibovitz has produced a book without people, and yet portraits are everywhere on its pages, and in them a profound sense of life’s bold fragility and art’s imperfect beauty.
--Eve MacSweeney, Vogue
"Gazing at the traces left behind by her favorite artists, traces of their lives, their creature habits, Ms. Leibovitz finds something to nurture all of us — something about integrity, staying true to a vision. She forges a connection to the past that informs the way she is moving forward."
--Dominique Browning, The New York Times
From John Lennon curled around Yoko Ono to a pregnant Demi Moore, photographer Annie Leibovitz has made a career of capturing people. But her latest collection is something very different. In Pilgrimage, Leibovitz focuses her lens on places and objects that have special meaning for her. More at NPR.org
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