The Nightwatchman's Occurrence Book

The Nightwatchman's Occurrence Book

And Other Comic Inventions

By V. S. Naipaul

Vintage, Paperback, 9780375708336, 544pp.

Publication Date: June 11, 2002

V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction-two novels and a collection of stories-that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
"The Suffrage of Elvira "is Naipaul's hilarious take on an electoral campaign in the back country of Trinidad, where the candidates' tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of "Mr. Stone and the Knights Companion" is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in "A Flag on the Island" take us from a Chinese bakery in Trinidad-whose black proprietor faces bankruptcy until he takes a Chinese name-to a rooming house in London-where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language.

About the Author
V.S Naipaul (1932), laureat du Booker Prize en 1971 et du prix Nobel de litterature en 2001, est notamment l'auteur de romans, "Le Masseur mystique" (Grasset, 2010), "L'Enigme de l'arrivee" (Grasset, Les Cahiers Rouges, 2012), de recits de voyage, "Le Masque de l'Afrique" (Grasset, 2011), d'essais, "Crepuscule sur l'Islam", et d'une correspondance, "Entre pere et fils" (Grasset, 2012).

Praise For The Nightwatchman's Occurrence Book

“V. S. Naipaul is the world’s writer, a master of language and perception.” –The New York Times Book Review

“As delightful as anything Naipaul has written.” –The New York Review of Books

“V. S. Naipaul has a substantial claim as a comic writer. . . . This humor, conducted throughout with the utmost stylistic quietude, is completely original.” –Kingsley Amis, The Spectator