Knopf Publishing Group, Paperback, 9780375712081, 320pp.
Publication Date: September 6, 2011
Few have even attempted to tackle Tiepolo's series of thirty-three bizarre and haunting etchings, the "Capricci" and the "Scherzi," but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo's art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy a motley company always on the go.
Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue of "sprezzatura," the art of not seeming artful.
Umberto Eco is a professor of semiotics at the University of Bologna and the best-selling author of numerous novels and essays. He lives in Italy.
“Calasso has written a brilliant, eccentric, provocative, annoying, and thoroughly splendid celebration of a great painter.” —John Banville, The New Republic
“The next best thing to visiting Europe and seeing the painter’s work . . . Calasso is one of the most demanding and intoxicating critics writing today.” —Los Angeles Times