The Thief and the Dogs

The Thief and the Dogs Cover

The Thief and the Dogs

By Naguib Mahfouz

Anchor Books, Paperback, 9780385264624, 160pp.

Publication Date: June 3, 2008

Description
Naguib Mahfouz's haunting novella of post-revolutionary Egypt combines a vivid pychological portrait of an anguished man with the suspense and rapid pace of a detective story.After four years in prison, the skilled young thief Said Mahran emerges bent on revenge. He finds a world that has changed in more ways than one. Egypt has undergone a revolution and, on a more personal level, his beloved wife and his trusted henchman, who conspired to betray him to the police, are now married to each other and are keeping his six-year-old daughter from him. But in the most bitter betrayal, his mentor, Rauf Ilwan, once a firebrand revolutionary who convinced Said that stealing from the rich in a unjust society is an act of justice, is now himself a rich man, a respected newspaper editor who wants nothing to do with the disgraced Said. As Said's wild attempts to achieve his idea of justice badly misfire, he becomes a hunted man so driven by hatred that he can only recognize too late his last chance at redemption.


About the Author
Naguib Mahfouz was born in Cairo in 1911 and began writing when he was seventeen. His nearly forty novels and hundreds of short stories range from re-imaginings of ancient myths to subtle commentaries on contemporary Egyptian politics and culture. Of his many works, most famous is The Cairo Trilogy, consisting of Palace Walk (1956), Palace of Desire (1957), and Sugar Street (1957), which focuses on a Cairo family through three generations, from 1917 until 1952. In 1988, he was the first writer in Arabic to be awarded the Nobel Prize in Literature. He died in August 2006.


Praise For The Thief and the Dogs

"The incredible variety of Mahfouz's writing continues to dazzle our eyes."
The Washington Post

"[Naguib Mahfouz] is not only a Hugo and a Dickens, but also a Galsworthy, a Mann, a Zola, and a Jules Romains."
—Edward Said, The London Review of Books

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