Plundered Hearts

Plundered Hearts Cover

Plundered Hearts

New and Selected Poems

By J. D. McClatchy

Knopf Publishing Group, Hardcover, 9780385351515, 261pp.

Publication Date: March 25, 2014

At last, a definitive selection of the elegant work by a poet at the forefront of American poetry for more than three decades.
With his first several books, J. D. McClatchy established himself as a poet of urbanity, intellect, and prismatic emotion, in the tradition of James Merrill, W. H. Auden, and Elizabeth Bishop one who balances an exploration of the underworld of desire with a mastery of poetic form, and whose artistry reveals the riches and ruins of our plundered hearts. Now, opening with exquisite new poems including the stunning My Hand Collection, a catalogue of art objects that steals up on the complexity of human touch, and a witty and profound poem entitled My Robotic Prostatectomy this selection is a glorious full tour of McClatchy's career. It includes excerpts from the powerful book-length sequence "Ten Commandments" (1998) and his more recent works "Hazmat" (2002) and "Mercury Dressing" (2009) books that explored the body's melodrama, as well as the heart's treacheries, grievances, and boundless capacities. All of his poems present a sumptuous weave of impassioned thought and clear-sighted feeling. He has been rightly hailed as a poet of ferocious alertness, one who elicits (says "The New" "Leader") the kind of wonder and joy we experience when the curtain comes down on a dazzling performance.

About the Author
J. D. McClatchy is the author of seven previous collections of poetry and of three collections of prose. He has edited numerous other books, including" The Vintage Book of Contemporary American Poetr"y, and has written a number of opera libretti that have been performed at the Metropolitan Opera, Covent Garden, La Scala, and elsewhere. He is a member of the American Academy of Arts and Letters, where he served as president from 2009 to 2012. McClatchy teaches at Yale University and is editor of "The Yale Review."