Black Minstrelsy from Slavery to Hip-Hop
Publication Date: August 2012
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Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American performers who played the grinning blackface fool to entertain black and white audiences. We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.
About the AuthorYuval Taylor, senior editor at Chicago Review Press, is the coauthor of "Faking It "and the editor of "I Was Born a Slave". He lives in Chicago, Illinois.
Yuval Taylor, senior editor at Chicago Review Press, is the coauthor of "Faking It "and the editor of "I Was Born a Slave". He lives in Chicago, Illinois.
MEL WATKINS is a professor of economics and political science at University College, University of Toronto. He is an editor of "This Magazine" where he writes the Innis Memorial Column.