A Clockwork Orange

A Clockwork Orange

By Anthony Burgess; Mark Rawlinson (Editor)

W. W. Norton & Company, Paperback, 9780393928099, 368pp.

Publication Date: December 2010

The Norton Critical Edition ofA Clockwork Orange is based on the first British edition and includes Burgess's original final chapter. It is accompanied by Mark Rawlinson's preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex's dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel. Backgrounds and Contexts presents a wealth of materials chosen by the editor to enrich the reader's understanding of this unforgettable work, many of them by Burgess himself. Burgess's views on writingA Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel's central issues youthful style, behavior modification, and art versus morality are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner. Criticism is divided into two sections, one addressing the novel and the other Stanley Kubrick's film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation ofA Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston's interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley. A Selected Bibliography is also included.

About the Author
Anthony Burgess (1917 1993) is the author of many works, including A Clockwork Orange, The Wanting Seed, Nothing Like the Sun, Honey for the Bears, The Long Day Wanes, The Doctor Is Sick, and ReJoyce.

Mark Rawlinson is Senior Lecturer at the University of Leicester. His books include British Writing of the Second World War, Pat Barker, The Second World War in British Fiction Since 1945, and Camouflage: Modern War and Visual Culture.