The Day the Crayons Quit
Publication Date: June 27, 2013
Enter your zip code below to find indies closest to you.
Crayons have feelings, too, in this funny back-to-school story illustrated by the creator of Stuck and This Moose Belongs to Me--now a #1 New York Times bestseller!
Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Beige Crayon is tired of playing second fiddle to Brown Crayon. Black wants to be used for more than just outlining. Blue needs a break from coloring all those bodies of water. And Orange and Yellow are no longer speakingeach believes he is the true color of the sun.
What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best?
Kids will be imagining their own humorous conversations with crayons and coloring a blue streak after sharing laughs with Drew Daywalt and New York Times bestseller Oliver Jeffers. This story is perfect as a back-to-school gift, for all budding artists, for fans of humorous books such as Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith, and for fans of Oliver Jeffers' Stuck, The Incredible Book Eating Boy, Lost and Found, and This Moose Belongs to Me.
Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and five-month-old German Shepherd. His favorite crayon is Black.
Oliver Jeffers (www.oliverjeffersworld.com) makes art and tells stories. His books include How to Catch a Star; Lost and Found, which was the recipient of the prestigious Nestle Children’s Book Prize Gold Award in the U.K. and was later adapted into an award-winning animated film; The Way Back Home; The Incredible Book Eating Boy; The Great Paper Caper; The Heart and the Bottle, which was made into a highly acclaimed iPad application narrated by Helena Bonham Carter; Up and Down, the New York Times bestselling Stuck; The Hueys in the New Sweater, a New York Times Best Illustrated Book of the Year; and This Moose Belongs to Me, a New York Times bestseller. Originally from Belfast, Northern Ireland, Oliver now lives and works in Brooklyn, New York.
Goodreads' 2013 Picture Book of the Year!
Amazon's Best Picture Book of the Year!
A Barnes & Noble Best Book of 2013!
* “Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers’s (This Moose Belongs to Me) crayoned images underscore the waxy cylinders’ sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon’s hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, 'That’s a lot of space to color in all by myself'). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes."--Publishers Weekly, starred review
"Jeffers delivers energetic and playful illustrations. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s 'white cat in the snow' perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability. A comical, fresh look at crayons and color."--Kirkus Reviews
"Fresh and funny. Oliver Jeffers's quirky, joyful illustrations convey the strength and comedy of the crayons' sentiments, and children ages 4-8 will laugh in recognition at seeing their own color preferences reflected back at them."--The Wall Street Journal
“Hilarious. . . Each spread includes a reproduction of an actual letter (written in crayon, of course) on the verso, facing an appropriate composition such as a childlike crayon drawing or a colored-in page from a coloring book. The crayons themselves, with deceptively simple line and dot faces, are rich in emotion and character, and it’s entertaining to consider each crayon’s representation in light of the voice in its letter. While potential lessons in inference, point of view, and persuasive writing abound in the crayons’ letters, this is guaranteed to see just as much use for being just plain fun. Move over, Click, Clack, Moo (BCCB 9/00); we’ve got a new contender for most successful picture-book strike."--BCCB