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The Godfather

The Godfather Cover

The Godfather

By Mario Puzo; Robert Smith Thompson (Introduction by); Anthony Puzo (Introduction by)

Berkley Books, Paperback, 9780451205766, 448pp.

Publication Date: March 5, 2002

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Description
The Godfather--the epic tale of crime and betrayal that became a global phenomenon.
Almost fifty years ago, a classic was born. A searing portrayal of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and their powerful legacy of tradition, blood, and honor. The seduction of power, the pitfalls of greed, and the allegiance to family--these are the themes that have resonated with millions of readers around the world and made The Godfather the definitive novel of the violent subculture that, steeped in intrigue and controversy, remains indelibly etched in our collective consciousness.
WITH A NEW INTRODUCTION BY ANTHONY PUZO


About the Author
The son of Italian immigrants who moved to the Hell's Kitchen area of New York City, Mario Puzo was born on October 15, 1920. After World War II, during which he served as a U.S. Army corporal, he attended City College of New York on the G.I. Bill and worked as a freelance writer. During this period he wrote his first two novels The Dark Arena (1955) and The Fortunate Pilgrim (1965). When his books made little money despite being critically acclaimed, he vowed to write a bestseller. The Godfather (1969) was an enormous success. He collaborated with director Francis Ford Coppola on the screenplays for all three Godfather movies and won Academy Awards for both The Godfather (1972) and The Godfather, Part II (1974). He also collaborated on the scripts for such films as Superman (1978), Superman II (1981), and The Cotton Club (1984). He continued to write phenomenally successful novels, Including Fools Die (1978), The Sicilian (1984), The Fourth K (1991), and The Last Don (1996). Mario Puzo died on July 2, 1999. His final novel, Omerta, was published in 2000.


Praise For The Godfather

"A staggering triumph." Saturday Review

"A voyeur's dream, a skillful fantasy of violent personal power." New York Times

"Big, turbulent, highly entertaining."Newsweek

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