Interred with Their Bones

By Jennifer Lee Carrell
(Plume, Paperback, 9780452289895, 432pp.)

Publication Date: August 26, 2008

Other Editions of This Title: Compact Disc, Hardcover, Hardcover

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Description

“A feverishly paced action adventure” (The New York Times) about a long-lost Shakespeare work and a killer who reenacts the Bard’s most bloody murders

Jennifer Lee Carrell’s highly acclaimed debut novel is a brilliant, breathlessly paced literary adventure. The action begins on the eve of the Globe’s production of Hamlet when Shakespeare scholar and theater director Kate Stanley’s eccentric mentor Rosalind Howard gives her a mysterious box, claiming to have made a groundbreaking discovery. Before she can reveal it to Kate, the Globe is burned to the ground and Roz is found dead…murdered precisely in the manner of Hamlet’s father.

Inside the box Kate finds the first piece in a Shakespearean puzzle, setting her on a deadly, highstakes treasure hunt. From London to Harvard to the American West, Kate races to evade a killer and solve a tantalizing string of clues hidden in the words of Shakespeare, which may unlock one of history’s greatest secrets.




About the Author

Jennifer Lee Carrell holds a Ph.D. in English and American literature from Harvard University and is the author of The Speckled Monster: A Historical Tale of Battling Smallpox. In addition to writing for Smithsonian magazine, Carrell has taught in the history and literature program at Harvard and has directed Shakespeare for Harvard’s Hyperion Theatre Company. She lives in Tucson, Arizona.




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CONVERSATION STARTERS

  1. One of the pervading themes of Interred with Their Bones is the gap between the academic and the practical when it comes to the works of Shakespeare. The great gap between Roz Howard's "ivory tower" approach to Shakespeare and Kate Stanley's need to have the actual hands-on experience of directing a Shakespearean play provides the opening conflict of the novel. When it comes to classic theater, is studying the plays and the playwright enough? Is it important to experience Shakespeare's works in the way the playwright intended, performed before a live audience?

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