Cambridge University Press, Paperback, 9780521783750, 408pp.
Publication Date: April 1, 2010
Like many of his contemporaries, including Christopher Marlowe, Shakespeare began his career on the stage, eventually rising to become part-owner of Lord Chamberlain s Men, a popular dramatic company of his day, and of the storied Globe Theatre in London.
Extremely popular in his lifetime, Shakespeare s works continue to resonate more than three hundred years after his death. His plays are performed more often than any other playwright s, have been translated into every major language in the world, and are studied widely by scholars and students.
Christine Dymkowski is Professor of Drama and Theatre History at Royal Holloway, University of London. She has a special interest in Edwardian theatre, feminist/women's theatre and the history of Shakespeare production within its wider cultural contexts. Co-founder of the working group on Feminist Theatre/Women in Theatre for the International Federation for Theatre Research, she has written numerous articles and papers on Lena Ashwell, Edith Craig, Cicely Hamilton, Susan Glaspell, Caryl Churchill, Sarah Daniels and Timberlake Wertenbaker. Her work on Shakespeare includes Harley Granville Barker: A Preface to Modern Shakespeare (1986); The Tempest in the Cambridge University Press Shakespeare in Production series (2000); 'Ancient [and Modern] Gower: Presenting Shakespeare's Pericles', in P. Butterworth (ed.), The Narrator, the Expositor and the Prompter in European Medieval Theatre (2007); and 'Measure for Measure: Shakespeare's twentieth-century play', in Shakespeare in Stages, which she co-edited with Christie Carson (Cambridge University Press, 2010). She is also Theatre History editor of the forthcoming New Variorum Tempest.