Bantam Classics, Mass Market Paperbound, 9780553213522, 720pp.
Publication Date: July 1, 1983
"My intention is to portray a truly beautiful soul." -- Dostoevsky
Despite the harsh circumstances besetting his own life -- object poverty, incessant gambling, the death of his firstborn child -- Dostoevsky produced a second masterpiece, The Idiot, just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal and murder follow, testing Myshkin's moral feelings as Dostoevsky searches through the wreckage left by human misery to find "man in man." The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. "They call me a psychologist," wrote Dostoevsky. "That is not true. I'm only a realist in the higher sense; that is, I portray all the depths of the human soul."
His prison experiences coupled with his conversion to a conservative and profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete "Crime and Punishment" (1866), "The Idiot "(1868-69), " The Possessed "(1871-72), " and The Brothers Karamazov "(1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature."
“Nothing is outside Dostoevsky’s province. . . . Out of Shakespeare there is no more exciting reading.” —Virginia Woolf