Never Smile at a Monkey
And 17 Other Important Things to Remember
Publication Date: October 2009
Other Editions of This Title: Paperback
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When it comes to wild animals, everyone knows that there are certain things you just don’t do. It's clearly a bad idea to tease a tiger, pull a python's tail, or bother a black widow spider. But do you know how dangerous it can be to pet a platypus, collect a cone shell, or touch a tang fish? Some creatures have developed unusual ways of protecting themselves or catching prey, and this can make them unexpectedly hazardous to your health.
In this dynamic and fascinating picture book by Steve Jenkins, you'll find out what you should never do if you encounter one of these surprisingly dangerous animals.
Steve Jenkins has written and illustrated many nonfiction picture books for young readers, including the Caldecott Honor–winning What Do You Do with a Tail Like This? His books have been called stunning, eye-popping, inventive, gorgeous, masterful, extraordinary, playful, irresistible, compelling, engaging, accessible, glorious, and informative. He lives in Boulder, Colorado with his wife and frequent collaborator, Robin Page, and their children.
"A visually stunning book illustrated with cut paper and torn collages...This superlative illustrator has given children yet another work that educates and amazes."--School Library Journal, starred review
"With his trademark cut-paper technique, Jenkins proves there may not be a texture that he can’t mimic on the page. The high-interest marriage of animals and danger, along with large, vibrant visuals, makes this a prime candidate for group sharing, and additional details and artwork at the end will flesh out some of the finer points for older children."--Booklist
"[Monkey] takes the cheesy appeal of the dangerous-animals hook and makes it thoughtful and inventive without robbing it of its melodramatic charm. . . Crisp and clean detail particularly distinguishes this batch of Jenkins’ cut-out-collages, laid out with sharp edges against the white backgrounds, so the soft painterly striations and fibrous mottling stand out all the more."--Bulletin