The Signature of All Things
By Elizabeth Gilbert
(Riverhead Hardcover, Hardcover, 9780670024858, 512pp.)
Publication Date: October 1, 2013
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A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed
In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittakera poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite directioninto the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artistbut what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.
Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globefrom London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, whoborn in the Age of Enlightenment, but living well into the Industrial Revolutionbears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.
Elizabeth Gilbert is an award-winning writer of both fiction and nonfiction. Her short story collection, Pilgrims, was a finalist for the PEN/Hemingway Award, and her novel, Stern Men, was a New York Times Notable Book. Her 2002 book, The Last American Man, was a finalist for both the National Book Award and the National Book Critics Circle Award. She is best known for her 2006 memoir, Eat, Pray, Love, which has been published in more than thirty languages; a film based on the memoir, starring Julia Roberts, opened in August 2010. Her most recent book, the memoir Committed: A Love Story, appeared in 2010. In 2008, Time magazine named Gilbert one of the most influential people in the world. Her website is www.elizabethgilbert.com.
- The Signature of All Things takes as its first focus not the book's heroine, Alma Whittaker, but her rough-and-tumble father, Henry. Why do you think Elizabeth Gilbert made this choice in her narration, and why are the first fifty pages essential to the rest of the novel?
Praise for The Signature of All Things
“Gilbert has established herself as a straight-up storyteller who dares us into adventures of worldly discovery, and this novel stands as a winning next act. The Signature of All Things is a bracing homage to the many natures of genius and the inevitable progress of ideas, in a world that reveals its best truths to the uncommonly patient minds.”—Barbara Kingsolver, The New York Times Book Review
“[A] rip-roaring tale… Its prose has the elegant sheen of a 19th-century epic, but its concerns — the intersection of science and faith, the feminine struggle for fulfillment, the dubious rise of the pharmaceutical industry — are essentially modern.”—Steve Almond, The New York Times Magazine
“The most ambitious and purely imaginative work in Gilbert’s 20-year career: a deeply researched and vividly rendered historical novel about a 19th century female botanist.”—Alexandra Alter, The Wall Street Journal
“A radiant novel…that rare literary achievement, a big, panoramic novel about life and love…Like Victor Hugo or Emile Zola, Gilbert captures something important about the wider world in The Signature of All Things: a pivotal moment in history when progress defined us in concrete ways.”—Marie Arana, The Washington Post
“A delightful book…one of the best of the year…Gilbert marries the technical, cultural and spiritual with a warm, frankly funny wit… This kind of storytelling is rare – one in which an author can depict the particulars of a moss colony as skillfully as she maps the landscape of the human heart.”—Lizzie Skurnick, “All Things Considered,” NPR
“Gilbert’s sumptuous third novel, her first in thirteen years, draws openly on nineteenth-century forebears: Dickens, Eliot, and Henry James…Gilbert’s prose is by turns flinty, funny, and incandescent.”—The New Yorker
“Engrossing…The Signature of All Things is one of those rewardingly fact-packed books that make readers feel bold and smart by osmosis. Alma commits her life to ceaseless study, but reading this vibrant, hot-blooded book about her takes no work at all.” —Janet Maslin, The New York Times
“Gilbert has mulled, from the confines of her desk, the correlations of nature, the principle that connects a grain of sand to a galaxy, to create a character who does the same – who makes the study of existence her life’s purpose. And in doing so, she has written the novel of a lifetime.”—O, The Oprah Magazine
“A fabulous read…Gilbert has returned to fiction with a boisterous historical novel about a 19th-century botanist named Alma Whittaker…Alma’s fabulous brain is a hot pot of scientific knowledge, lonely feminist turmoil and erotic longing. All of which makes her an irresistible character to accompany through history and around the world.”—Helen Rogan, People
“Raucously ingenious…Signature is not just a historical novel that spans two centuries and many geographies…I found unshackled joy on every page…a novel of brave and lovely ideas.”—Beth Kephart, The Chicago Tribune