The Bill from My Father

A Memoir

By Bernard Cooper
(Simon & Schuster, Paperback, 9780743249638, 256pp.)

Publication Date: January 9, 2007

Other Editions of This Title: Google eBook

Categories: Family Relationships, Literary, Personal Memoirs

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Description

Edward Cooper is a hard man to know.Dour and exuberant by turns, his moods dictate the always uncertain climate of the Cooper household. Balding, octogenarian, and partial to a polyester jumpsuit, Edward Cooper makes an unlikely literary muse. But to his son he looms larger than life, an overwhelming and baffling presence.

Edward's ambivalent regard for his son is the springboard from which this deeply intelligent memoir takes flight. By the time the author receives his inheritance (which includes a message his father taped to the underside of a safe deposit box), and sees the surprising epitaph inscribed on his father's headstone, The Bill from My Father has become a penetrating meditation on both monetary and emotional indebtedness, and on the mysterious nature of memory and love.




About the Author

Bernard Cooper has won numerous awards and prizes, among them the PEN/Ernest Hemingway Award, an O. Henry Prize, and literature fellowships from the Guggenheim Foundation and The National Endowment of the Arts.

He has published two memoirs, Maps to Anywhere and Truth Serum, as well as a novel, A Year of Rhymes, and a collection of short stories, Guess Again. His work has appeared in Harper's Magazine, Gentleman's Quarterly, and The Paris Review and in several volumes of The Best American Essays. He lives in Los Angeles and is the art critic for Los Angeles Magazine.




Praise For The Bill from My Father

"Bernard Cooper's The Bill From My Father is a glorious cornucopia of love and pain. Not only is Cooper an exemplary writer but he can parse an emotion down to its most resonant note. This memoir amazes."

-- Alice Sebold

"A masterful, compelling, and supremely entertaining portait. Some books are easily forgotten, but not this one. I will never be able to look at a coat of arms, a sheet of onionskin, or a cemetary again without feeling the need to tell someone about Edward Cooper."

-- Mark Salzman

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