The Girls of Room 28

Friendship, Hope, and Survival in Theresienstadt

By Hannelore Brenner; John E. Woods (Translator); Shelley Frisch (Translator)
(Schocken, Hardcover, 9780805242447, 336pp.)

Publication Date: September 1, 2009

Other Editions of This Title: Hardcover, Compact Disc

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Description

From 1942 to 1944, twelve thousand children passed through the Theresienstadt internment camp, near Prague, on their way to Auschwitz. Only a few hundred of them survived the war. In The Girls of Room 28, ten of these childrenmothers and grandmothers today in their seventiestell us how they did it.

The Jews deported to Theresienstadt from countries all over Europe were aware of the fate that awaited them, and they decided that it was the young people who had the best chance to survive. Keeping these adolescents alive, keeping them whole in body, mind, and spirit, became the priority. They were housed separately, in dormitory-like barracks, where they had a greater chance of staying healthy and better access to food, and where counselors (young men and women who had been teachers and youth workers) created a disciplined environment despite the surrounding horrors. The counselors also made available to the young people the talents of an amazing array of world-class artists, musicians, and playwrights–European Jews who were also on their way to Auschwitz. Under their instruction, the children produced art, poetry, and music, and they performed in theatrical productions, most notably Brundibar, the legendary “children’s opera” that celebrates the triumph of good over evil.

In the mid-1990s, German journalist Hannelore Brenner met ten of these child survivors—women in their late-seventies today, who reunite every year at a resort in the Czech Republic. Weaving her interviews with the women together with excerpts from diaries that were kept secretly during the war and samples of the art, music, and poetry created at Theresienstadt, Brenner gives us an unprecedented picture of daily life there, and of the extraordinary strength, sacrifice, and indomitable will that combined—in the girls and in their caretakers—to make survival possible.




About the Author

HANNELORE BRENNER is a print and broadcast journalist based in Berlin.




Praise For The Girls of Room 28

"This beautiful evocation of heartwarming friendship in the darkest of times is unforgettable."
—Elie Wiesel

"The insights of the survivors and stories of the camp's victims are unforgettable and full of poignant humanity, conveyed through letters, photos, diaries, and remembrances. . . . Well detailed and inspiring, Brenner's book, especially her heartfelt epilogue, pays glowing tribute to these heroic survivors."
Publishers Weekly

“Brenner chronicles the remarkable artistic experiments undertaken by the girls, especially their enthusiastic production of the children’s opera Brundibár. An inspiring story of courage rendered through impressive personal and historical detail.”
Kirkus Reviews


"The story of this children's home in Theresienstadt takes us to the limit of the bearable, to the place where compassion, fear, and the temptation to simply turn away all lie in wait. To resist that temptation--isn't that what the historical record must achieve?
DIE ZEIT

"This handful of girls wanted their memories of their dead friends and their time in Theresienstadt not to be forgotten. They wanted to make the story of their survival, and the love and friendship that their caretakers showerd them, unforgettable. Together with the author, they have succeeded. In Hannelore Brenner, these women have found someone who listened to them, who read their albums of poetry, their diaries, and their chronicles, and who has written a wonderful book."
PRAGER ZEITUNG

"
Brenner has gathered together these stories with great sensitivity. She makes the past spring to life and gracefully places the personal memories of these girls into a historical context, while at the same time offering solid research and background information regarding life in Theresienstadt and the political situation of the time."
SÄCHSISCHE ZEITUNG

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