The Arab Avant-Garde

Music, Politics, Modernity

By Thomas Burkhalter (Editor); Kay Dickinson (Editor); Benjamin J. Harbert (Editor)
Wesleyan, Paperback, 9780819573865, 296pp.

Publication Date: November 2013

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From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of innovation within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the avant-garde a term with Eurocentric resonances this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities.
Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the Arab avant-garde becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.

About the Author
Kay Dickinson is a Lecturer in Cultural Studies within the Media and Communications Department of Goldsmiths College, University of London. She is editor of Movie Music: The Film Reader (2002) and co-editor of Teen TV: Genre, Consumption and Identity (2004).
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