So Brave, Young and Handsome
By Leif Enger
(Atlantic Monthly Press, Hardcover, 9780871139856, 272pp.)
Publication Date: April 22, 2008
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A stunning successor to his best selling novel Peace Like a River, Leif Enger’s new work is a rugged and nimble story about an aging train robber on a quest to reconcile the claims of love and judgment on his life, and the failed writer who goes with him.
In 1915 Minnesota, novelist Monte Becket has lost his sense of purpose. His only success long behind him, Monte lives simply with his wife and son. But when he befriends outlaw Glendon Hale, a new world of opportunity and experience presents itself. Glendon has spent years in obscurity, but the guilt he harbors for abandoning his wife, Blue, over two decades ago, has lured him from hiding. As the modern age marches swiftly forward, Glendon aims to travel back to his past--heading to California to seek Blue’s forgiveness. Beguiled and inspired, Monte soon finds himself leaving behind his own family to embark for the unruly West with his fugitive guide. As they desperately flee from the relentless Charles Siringo, an ex-Pinkerton who’s been hunting Glendon for years, Monte falls ever further from his family and the law, to be tempered by a fiery adventure from which he may never get home.
- What elements of Enger's book play off the conventions of cowboy movies and cowboy novels? In Chapter 12, we read "And so it came down to a farmhouse. As it so often does!" (p. 232) Monte's son, Redstart, "knew which members of the James Gang had once ridden into our town to knock over a bank and been shot to moist rags for their trouble" (p.4). What other traditions of the cowboy genres do you recognize in the book? The lore of train robberies? Cattle rustling? The nugget of goodness under the outlaw behavior?