The Nineteenth Century, Volume 1: Freneau to Whitman
Publication Date: October 1993
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In nineteenth-century America, poetry was, part of everyday life, as familiar as a hymn, a love song, a patriotic exhortation. American Poetry: The Nineteenth Century reveals the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These two volumes reassess America's poetic legacy with a comprehensive sweep that no previous anthology has attempted. This second volume follows the evolution of American poetry from the monumental mid-century achievements of Herman Melville and Emily Dickinson to the modernist stirrings of Stephen Crane and Edwin Arlington Robinson. The cataclysm of the Civil War - reflected in fervent antislavery protests, in marching songs and poetic calls to arms, and in muted postbellum expressions of grief and reconciliation - ushered in a period of accelerating change and widening regional perspectives. Among the unfamiliar pleasures to be savored in this volume are the penetrating meditations of the reclusive Frederick Goddard Tuckerman, the eloquent lyricism of Emma Lazarus, the mournful, superbly crafted fin de siecle verse of Trumbull Stickney. Here too are the pioneering African-American poets (Frances Harper, Albery Allson Whitman, Paul Laurence Dunbar); popular humorists (James Whitcomb Riley, Eugene Field); writers embodying America's newfound cosmopolitanism (Edith Wharton, George Santayana); and extravagant self-mythologizing figures who could have existed nowhere else, like the actress Adah Isaacs Menken and the frontier poet Joaquin Miller. Parodies, dialect poems, song lyrics, and children's verse evoke the liveliness of an era when poetry was accessible toall. Here are poems that played a crucial role in American public life, whether to arouse the national conscience (Edwin Markham's "The Man with the Hoe") or to memorialize the golden age of the national pastime (Ernest Lawrence Thayer's "Casey at the Bat"). An entire section of this volume is devoted to American Indian poetry in nineteenth-century versions, making available - some for the first time since their initial publication - an astonishing range of translations and adaptations: Ojibwa healing rituals, the songs of the Ghost Dance religion, Zuni mythological narratives, chants from the Kwakiutl Winter Ceremonial. Also included is a generous selection from America's rich heritage of anonymous folk songs, ballads, and hymns. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.
About the AuthorThe Marvel and Other Short Stories is a collected anthology of six short stories written by the winners of the Austin Macauley World Book Day short story competition.
John Hollander is the author of eighteen previous books of poetry. His first, "A Crackling of Thorns," was chosen by W. H. Auden as the 1958 volume in the Yale Series of Younger Poets. He has written eight books of criticism and edited "The Laurel Ben Jonson; "an anthology of contemporary poetry, "Poems of Our Moment;" and, with Harold Bloom, "The Wind and the Rain," an anthology of verse for young people. He was a coeditor of "The Oxford Anthology of English Literature" and is the editor (with Anthony Hecht, with whom he shared the Bollingen Prize in Poetry in 1983) of "Jiggery-Pokery: A Compendium of Double Dactyls," Mr. Hollander attended Columbia and Indiana universities, was a junior fellow at the Society of Fellows of Harvard University, and in 1990 was made a fellow of the MacArthur Foundation. He taught at Connecticut College and Yale, and was professor of English at Hunter College and the Graduate Center, CUNY. He is currently Sterling Professor Emeritus of English at Yale.