Half-Blood Blues
By Esi Edugyan
(Picador, Paperback, 9781250012708, 336pp.)
Publication Date: February 28, 2012
Other Editions of This Title: Hardcover, Paperback
Categories: Literary
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Winner of the Scotiabank Giller Prize
Man Booker Prize Finalist 2011
An Oprah Magazine Best Book of the Year
Shortlisted for the Governor General’s Literary Award for Fiction
Berlin, 1939. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris café. He is never heard from again. He was twenty years old, a German citizen. And he was black.
Esi Edugyan has a Masters in Writing from Johns Hopkins Writing Seminars. Her work has appeared in several anthologies, including Best New American Voices 2003, ed. Joyce Carol Oates, and Revival: An Anthology of Black Canadian Writing (2006).
Her debut novel, The Second Life of Samuel Tyne, was published internationally. It was nominated for the Hurston/Wright Legacy Award, was a More Book Lust selection, and was chosen by the New York Public Library as one of 2004's Books to Remember. Edugyan has held fellowships in the US, Scotland, Iceland, Germany, Hungary, Finland, Spain and Belgium. She has taught creative writing at both Johns Hopkins University and the University of Victoria. She currently lives in Victoria, British Columbia.- To what end does the novel take the reader back and forth in time and place, from Berlin to Paris in the 1930s and 40s and Europe in the 1990s? How does this affect the reader?
"Unforgettable…Brilliantly conceived, gorgeously executed. It’s a work that promises to lead black literature in a whole new direction." —The Globe and Mail (Toronto)
"A superbly atmospheric prologue kick-starts a thrilling story about truth and betrayal…[A] brilliantly fast-moving novel." —The Times (London) "Shines with knowledge, emotional insight, and historical revisionism…Truly extraordinary in its evocation of time and place, its shimmering jazz vernacular, its pitch-perfect male banter and its period slang." —The Independent (London)"Ingenious." —The Daily Telegraph (London) "Destined to win a wide audience…Deftly paced in incident and tone, moving from scenes of snappy dialogue, in which band members squabble and banter humorously, to tense, atmospheric passages of description…Edugyan makes fresh tracks in this richly-imagined story…Half-Blood Blues itself represent a kind of flowering—that of a gifted storyteller." —The Toronto Star

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