Honeymoon in Tehran
Honeymoon in Tehran
Two Years of Love and Danger in Iran
Random House, Hardcover, 9781400066452, 352pp.
Publication Date: February 3, 2009
Both a love story and a reporter’s first draft of history, Honeymoon in Tehran is a stirring, trenchant, and deeply personal chronicle of two years in the maelstrom of Iranian life.
In 2005, Azadeh Moaveni, longtime Middle East correspondent for Time magazine, returns to Iran to cover the rise of President Mahmoud Ahmadinejad. As she documents the firebrand leader’s troublesome entry onto the world stage, Moaveni richly portrays a society too often caricatured as the heartland of militant Islam. Living and working in Tehran, she finds a nation that openly yearns for freedom and contact with the West, but whose economic grievances and nationalist spirit find a temporary outlet in Ahmadinejad’s strident pronouncements. Mingling with underground musicians, race car drivers, young radicals, and scholars, she explores the cultural identity crisis and class frustration that pits Iran’s next generation against the Islamic system.
And then the unexpected happens: Azadeh falls in love with a young Iranian man and decides to get married and start a family in Tehran. Suddenly, she finds herself navigating an altogether different side of Iranian life. Preparing to be wed by a mullah, she sits in on a government marriage prep class where young couples are instructed to enjoy sex. She visits Tehran’s bridal bazaar and finds that the Iranian wedding has become an outrageously lavish–though often still gender-segregated–production. When she becomes pregnant, she must prepare to give birth in an Iranian hospital, at the same time observing her friends’ struggles with their young children, who must learn to say one thing at home and another at school.
Despite her busy schedule as a wife and mother, Azadeh continues to report for Time on Iran’s nuclear standoff with the West and Iranians’ dissatisfaction with Ahmadinejad’s heavy-handed rule. But as women are arrested on the street for “immodest dress” and the authorities unleash a campaign of intimidation against journalists, the country’s dark side reemerges. This fundamentalist turn, along with the chilling presence of “Mr. X,” the government agent assigned to mind her every step, forces Azadeh to make the hard decision that her family’s future lies outside Iran.
Powerful and poignant, fascinating and humorous Honeymoon in Tehran is the harrowing story of a young woman’s tenuous life in a country she thought she could change.
Advance praise for Honeymoon in Tehran
“This perfect blend of political commentary and social observation is an excellent choice for readers interested in going beyond the headlines to gain an in-depth understanding of twenty-first-century Iran.”
“A rare, rich glimpse inside a closed society.”
“A story of coming-of-age in two cultures [written] with a keen eye and a measured tone.”
“Sharp and written with ferociously brilliant reporting, Honeymoon in Tehran, Azadeh Moaveni’s nuanced perspective on her ancestors’ homeland, is without peer.”
–Gary Shteyngart, author of Absurdistan
“Honeymoon in Tehran is a timely, well-written, and intimate exploration of the soul of Iran. With an eye for detail and a feel for her subject matter, Moaveni has brought to life a country that is at once immensely important to the West and deeply misunderstood. Honest, perceptive, and nuanced, this tale of love and anguish in the Islamic Republic is brimming with poignant political insights. This book will enchant and educate.”
–Vali Nasr, author of The Shia Revival: How Conflicts Within Islam Will Shape the Future
“At a time when Iranian journalists were jailed and their newspapers regularly shut down, Time magazine correspondent Azadeh Moaveni managed to give voice to the Iranian psyche. Fearlessly, Moaveni pushed the limits of her Iranian government minder and refused to be intimidated. Her stories revealed the internal turmoil felt by many Iranians decades after the revolution. Honeymoon in Tehran is a powerful and compelling read that gives a face to the voices of discourse in Iran, voices that still long for a lawful society.”
–Davar Ardalan, senior producer at NPR News and author of My Name Is Iran