Little Bee

By Chris Cleave; Anne Flosnik (Narrator)
(Tantor Media, Compact Disc, 9781400141715)

Publication Date: April 2009

Other Editions of This Title: Google eBook, Compact Disc, MP3 CD, Hardcover, Hardcover, Paperback, Paperback, Audio Cassette

Categories: Literary

Selected by Indie Booksellers for the February 2010 Indie Next List

“This stunning and compassionate novel brings faraway places near and makes incredible experiences real. From London to Nigeria, you'll grip the book tightly in your hands and hold its characters close to your heart: a young girl, a tormented idealistic journalist, and a fearless mother whose pierce love is a wonder.”

-- Mark David Bradshaw, Watermark Books, Wichita, KS

Selected by Indie Booksellers for the Summer '10 Reading Group List

“This is one of the few books I've read that I couldn't put down. The story is brilliant and powerful. The two main characters are Little Bee, a Nigerian refugee, and Sarah, an British magazine editor whose life is thrown into turmoil by Little Bee's arrival. With some incredible ruminations on immigration, grief, and the human spirit, Chris Cleave weaves a story you will never forget.”

-- Stephanie Walker, The Boulder Book Store, Boulder, CO

Selected by Indie Booksellers for the February 2009 Indie Next List

“Little Bee -- this novel's small but powerful narrator -- begins her story as a Nigerian refugee in England who is looking for a British couple whom she met during a horrific episode in Nigeria -- a moment that unleashes a chain of events that will make you smile, cry, think, and, ultimately, pray for the best in humanity to win.”

-- Valerie Koehler, Blue Willow Bookshop, Houston, TX

Description

British couple Andrew and Sarah O'Rourke, vacationing on a Nigerian beach in a last-ditch effort to save their faltering marriage, come across Little Bee and her sister, Nigerian refugees fleeing from machete-wielding soldiers intent on clearing the beach. The horrific confrontation that follows changes the lives of everyone involved in unimaginable ways.Two years later, Little Bee appears in London on the day of Andrew's funeral and reconnects with Sarah. Sarah is struggling to come to terms with her husband's recent suicide and the stubborn behavior of her four-year-old son, who is convinced that he really is Batman. The tenuous friendship between Sarah and Little Bee that grows, is challenged, and ultimately endures is the heart of this emotional, tense, and often hilarious novel.Considered by some to be the next Kite Runner, Little Bee is an achingly human story set against the inhuman realities of war-torn Africa. Wrenching tests of friendship and terrible moral dilemmas fuel this irresistible novel.

About the Author

Chris Cleave is a columnist for the Guardian newspaper in London. His first novel, Incendiary, was published in twenty countries, won the 2006 Somerset Maugham Award, was shortlisted for the 2006 Commonwealth Writers' Prize, won the United States Book-of-the-Month Club's First Fiction Award, and won the Prix Special du Jury at the French Prix des Lecteurs 2007. He lives in London with his wife and two children. Anne Flosnik is an accomplished British actress with lead credits on stage, television, commercials, and voice-overs. A seasoned narrator, she has garnered two AudioFile Earphones Awards, an ALA Award, and three Audie Award nominations. Her narration of Little Bee by Chris Cleave was chosen as one of the Best Audiobooks of the Year by AudioFile magazine and one of the Top 40 Best Audiobooks of 2009 by Library Journal.

Season's Readings: Top Picks From Indie Booksellers

Thursday, Dec 3, 2009

Correspondent Susan Stamberg gathers recommendations for the season's best books from booksellers Rona Brinlee, Daniel Goldin and Lucia Silva. Their selections include comics about philosophy, novels about building families, and a box set that dives into the process of writing. More at NPR.org

NPR Audio Player Requires Flash Upgrade: Please upgrade your plug-in to view this content.

Conversation Starters from ReadingGroupChoices.com

"Sad words are just another beauty. A sad story means, this storyteller is alive" (p. 9). For Little Bee and other asylum seekers, the story of their life thus far is often all they have. What happens to the characters that carry their stories with them, both physically and mentally? What happens when we try to forget our past? How much control over their own stories do the characters in the book seem to have?

Little Bee tells the reader, "We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived" (p. 9). Which characters in the story are left with physical scars? Emotional scars? Do they embrace them as beautiful? Do you have any scars you've come to embrace? Did you feel more connected to Little Bee as a narrator after this pact?
Little Bee strives to learn the Queen's English in order to survive in the detention center. How does her grasp of the language compare with Charlie's? How does the way each of these two characters handle the English language help to characterize them?
How did it affect your reading experience to have two narrators? Did you trust one woman more than the other? Did you prefer the voice of one above the other?
Little Bee credits a small bottle of nail polish for "saving her life" while she was in the detention center (p. 7). Is there any object or act that helps you feel alive and beautiful, even when everything else seems to be falling apart?
Of the English language Little Bee says, "Every word can defend itself. Just when you go to grab it, it can split into two separate meanings so the understanding closes on empty air" (p. 12). What do you think she means by this? Can you think of any examples of English words that defend themselves? Why is language so important to Little Bee?
Little Bee says of horror films, "Horror in your country is something you take a dose of to remind yourself that you are not suffering from it" (p. 45). Do you agree? Was reading this novel in any way a dose of horror for you? How did it help you reflect on the presence or lack of horror in your own life?
Little Bee figures out the best way to kill herself in any given situation, just in case "the men come suddenly." How do these plans help Little Bee reclaim some power? Were you disturbed by this, or were you able to find the humor in some of the scenarios she imagines?
What does Udo changing her name to Little Bee symbolize for you? How does her new name offer her protection? Do you think the name suits her?
"To have an affair, I began to realize, was a relatively minor transgression. But to really escape from Andrew, to really become myself, I had to go the whole way and fall in love" (p. 161-162). Do you agree with Sarah that an affair is a minor transgression? How did falling in love with someone else help Sarah become herself? What role did Andrew play in perpetuating Sarah's extramarital affair?
When Little Bee finds that Andrew has hanged himself she thinks, "Of course I must save him, whatever it costs me, because he is a human being." And then she thinks, "Of course I must save myself, because I am a human being too" (p. 194). How do the characters in the story decide when to put themselves first and when to offer charity? Is one human life ever more valuable than another? What if one of the lives in question is your own?

	1Q84 Haruki Murakami Knopf
	The Marriage Plot Jeffrey Eugenides Farrar, Straus, and Giroux
	The Sense of an Ending Julian Barnes Knopf
	Death Comes to Pemberley PD James Knopf