I Wear the Black Hat
Grappling with Villains (Real and Imagined)
By Chuck Klosterman
(Scribner, Hardcover, 9781439184493, 224pp.)
Publication Date: July 9, 2013
Other Editions of This Title: Paperback
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Chuck Klosterman has walked into the darkness. As a boy, he related to the cultural figures who represented goodness—but as an adult, he found himself unconsciously aligning with their enemies. This was not because he necessarily liked what they were doing; it was because they were doing it on purpose (and they were doing it better). They wanted to be evil. And what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? How does the culture of deliberate malevolence operate?
In I Wear the Black Hat, Klosterman questions the modern understanding of villainy. What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O. J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985?
Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny. Klosterman continues to be the only writer doing whatever it is he’s doing.
Chuck Klosterman is the New York Times bestselling author of seven previous books, including Sex, Drugs, and Cocoa Puffs; Eating the Dinosaur; Killing Yourself to Live; and The Visible Man. His debut book, Fargo Rock City, was the winner of the ASCAP-Deems Taylor Award. He has written for GQ, Esquire, Spin, The Washington Post, The Guardian, The Believer, and The Onion A.V. Club. He currently serves as “The Ethicist” for the New York Times Magazine and writes about sports and popular culture for ESPN.
From Darth Vader's grown-up fan base to why people like mysterious vigilantes, Klosterman's I Wear The Black Hat is a meditation on villainy, both real and imagined. More at NPR.org
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"Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). I Wear the Black Hat is a rare example of serious criticism that?e(TM)s instantly accessible and really, really funny."
"Klosterman has a knack for holding up a magical high-def mirror to American pop culture that makes all of our vanities and delusions look painfully obvious. Spend enough time reading I Wear the Black Hat, and you might even start to recognize, in its pages, your own silly assumptions, your snap judgments, your stubborn loyalties and your badly rationalized prejudices?e?.By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture ?e" and maybe even American morality."
"Klosterman's prose exhibits the same firecrack fizz and pop, and his endearing/unnerving polemical habits remain in place."
"A gleeful and often funny explanation of villainy, both fictional and real."
"Klosterman considers how inconsistent, unpredictable and surprisingly elastic the concept of villainy has been in American culture since the 1970s....the entertainment value of his thought processes and the quality of his prose are high."
"Intellectually vigorous and entertaining."
?eoeThat most of his subjects are from the pop-culture realm, whether Andrew Dice Clay or Chevy Chase or the Eagles, does not diminish the underlying sophistication of Klosterman?e(TM)s guiding questions?e?. A fine return to form for Klosterman, blending Big Ideas with heavy metal, The Wire, Batman and much more.?e
?eoeVery much a product of his generation and as plugged into the popular culture as Mencken was antagonistic to it, Klosterman is in that same direct line of cultural critics as Bierce, Mencken, and more recently, P. J. O?e(TM)Rourke, and his posture is similarly arch and iconoclastic?e?[I Wear the Black Hat] will amuse and/or outrage but, either way, it should enlarge his audience.?e ?
"Astute and funny."
"Highly entertaining...a beach classic."
?eoeKlosterman offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero.?e