Simon & Schuster, Hardcover, 9781451640472, 244pp.
Publication Date: June 12, 2012
Intelligent, witty, and poignant, Gilded Age presents a modern Edith Wharton heroine dramatically beautiful, socially prominent, and just a bit unconventional whose return to the hothouse of Cleveland society revives rivalries, raises eyebrows, and reveals the tender vulnerabilities of a woman struggling to reconcile her desire for independence and her need for love.
ELEANOR HART had made a brilliant marriage in New York, but it ended in a scandalous divorce and thirty days in Sierra Tucson rehab. Now she finds that, despite feminist lip service, she will still need a husband to be socially complete. A woman's sexual reputation matters, and so does her family name. Ellie must navigate the treacherous social terrain where old money meets new: charitable benefits and tequila body shots, inherited diamonds and viper-bite lip piercings, country house weekends and sexting. She finds that her beauty is a powerful tool in this world, but it has its limitations, even liabilities. Through one misstep after another, Ellie mishandles her second act. Her options narrow, her future prospects contract, until she faces a desperate choice.
With a keen eye for the perfect detail and a heart big enough to embrace those she observes, Claire McMillan has written an assured and revelatory debut novel about class, gender, and the timeless conundrum of femininity.
“Looking for a beach read with a touch of literary pedigree? . . . [A] rich romp of a read.”—Elle
"Great fun, an over-the-top social farce, like Gossip Girl for grown people."—Boston Globe
"McMillan, a facile writer who excels at natural dialogue, is deft at bringing character 'types' like Ellie and her professor-swain to life. Readers needn't care about Cleveland aristocracy to enjoy this book. . . . Ellie Hart's conundrum seduces us . . . studded with intriguing and accurate morsels, set among the city's old-money WASP conventions, updated with sexting and tequila body shots. More than a century after The House of Mirth, McMillan demonstrates that human nature's tendency to judge and shun is still with us."—The Cleveland Plain Dealer
“McMillan reimagines Wharton’s The House of Mirth as a modern story set amid the upper crust of Cleveland instead of New York. The new setting works brilliantly. While the book hews to the original in terms of plot, this is no literary parlor trick: The dialogue is sharp and witty, and the characters inhabit a world of their own making. It’s a tragic comedy that’s alternately hilarious and heartbreaking.”—Romantic Times
“A hard-edged look at the . . . elite of modern-day Cleveland . . . While the novel tips its hat to House of Mirth, a simple comparison doesn’t do McMillan justice.”—Publishers Weekly
“McMillan cleverly uses Wharton’s classic novel to draw parallels between the social mores of two starkly different centuries. . . . An engrossing first novel.”—Library Journal
“Marvelous . . . it is McMillan’s deft touch with the complexities of male-female relationships that . . . give Gilded Age real depth. . . . As a stand-alone novel this works in every sense.”—Portland Book Review
"With a keen eye for the perfect detail and a heart big enough to embrace those she observes, Claire McMillan has written an assured and revelatory debut novel about class, gender, and the timeless conundrum of femininity."—Bookreporter.com
“Entertaining and thought-provoking . . . mature and deft. . . . An engrossing reinterpretation of Edith Wharton's The House of Mirth.”—ShelfAwareness.com
“If Edith Wharton had lived in the contemporary Midwest, here is the novel she would have written. From the dowager who pins a half million dollars in diamonds on her fleece vest to the native son burdened by a decaying family estate, Claire McMillan gets it all right as she spins an intelligent and engrossing story of class, feminism, and beautiful but doomed Ellie Hart.”—Susan Rebecca White, author of A Soft Place to Land