Double Feature

By Owen King
(Scribner, Hardcover, 9781451676891, 432pp.)

Publication Date: March 19, 2013

Other Editions of This Title: Paperback

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SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster.

Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, dignity, moving pictures, the dead—and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King’s epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

About the Author

Owen King is a graduate of Vassar College and the MFA program at the Columbia University School of the Arts. He is the author of We’re All in This Together: A Novella and Stories, as well as the co-editor of Who Can Save Us Now?: Brand New Superheroes and Their Amazing (Short) Stories. His writing has appeared in Fairy Tale Review, One Story, Prairie Schooner, and Subtropics, among other publications. Owen has also taught creative writing at Columbia University and Fordham University and is a working screenwriter with a script in development by the producer of Winter’s Bone. He is married to the novelist Kelly Braffet.

Praise For Double Feature

"King strikes a balance between the grand narratives of popular storytellinge"there are affairs and phone sex, jilted lovers and enraged cuckolds, budding romance, emotionally unstable teenagers, fights both verbal and physical, and of course a satisfying resolution in the ende"and the small, sharp details of higher-brow, character-driven, artsy faree.The literary and the popular can coexist. Double Feature makes this point, and proves it too."

"One of the year's best debuts... Double Feature is funnier than any movie to come out this year."

eoe[An] ambitious and warmhearted first noveleKing writes with witty verve.e

eoe[A] powerfully insightful and often devastatingly funny debute. Double Feature constantly walks the line between tragedy and comedy, between love and loathing, between friendship and strained codependency, between art and whate(TM)s only posing as art.e

eoeSharp, hilarious, and irreverent, Double Feature is not only a love-letter to cinema, but also a moving exploration of what it means to be an artist. This novel is brilliant, and Owen King is a magician.e
-Lauren Groff, author of The Monsters of Templeton and Arcadia

eoeOwen King's Double Feature is an ingeniously structured novel about fathers and sons, good art and bad art, success and failure, fight or flight. It manages both to redeem and condemn the overconfidence of youth, and introduces us to a wonderfully, tragically lovable cast of characters. This is terrific book.e
-Tom Bissell, author ofGod Lives in St. Petersburgand Magic Hours

eoeDouble Feature is a beautiful, wrenching beginning, and Owen King is a young writer of immense promise.e

-Larry McMurtry

eoeDear Reader: With this amazing tour de force, Owen King hasmore than lived up to the great promise of his debut collection. You will fallin love with Booth Dolan (just try not to) even as youe(TM)re giving thanks hee(TM)snot your father. This is a big, generous American novel from a dazzlingnovelist Ie(TM)ll be watching for years.e

-Tom Franklin, author ofCrooked Letter, Crooked Letter

eoeWhat a kinetic, joyful, gonzo ridee"Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam's Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers.e

-Karen Russell, author of Swamplandia!

eoeOwen King shows incredible heart, humor and structural mastery in his debut novel. Double Feature, as the title might suggest, has both glorious comic sweep and poignant intimacy.e

-Sam Lipsyte, author of The Ask

eoeI didn't believe the species existed any more: a fun, goodhearted and readable to the point of being addictive epic, contemporary novel. To delve this smoothly into the film world, art, this winningly into the complex mess between sons and fathers, this compassionately into life after a man has taken his shot and is no longer the talented, bright-eyed prodigy... it just doesn't happen. Owen King is some kind of impressive novelist, and Double Feature is a goddamn unicorn.e
-Charles Bock, author of Beautiful Children

eoeOwen King has a generous heart and a devious mind; theree(TM)s no other possibility that would explain the ways this novel turns from the beautiful and the true right into the bizarre and hilarious. Tackling the act of creation (parents and children, artists and art), King writes with such assurance that the only option for me, once I finished this epic tale, was to start over and hope to experience it anew.e
-Kevin Wilson, author of The Family Fang and Tunneling to the Center of the Earth

... Samuel Dolan graduated from a liberal arts college in upstate New York. His girlfriend, Polly, left to live with her parents in Florida. Same(TM)s mother is dead, and Sam doesne(TM)t much like his father, Booth. Booth Dolan has made a career out of scenery-chewing in B-moviese"and doing what he wants, including chasing skirts. Same(TM)s passionate ambition is his indie film, Who We Are, "about the costs of growing upe"and the costs of not growing up. And that was heavy stuff." Sam makes his film, but the film that finds its way into print isne(TM)t the film he made... Kinge(TM)s characters are both attractive and realistic, not only larger-than-life Booth and disaffected Sam, but also Allie, Same(TM)s mother, who was always cool and accepting, even of Boothe(TM)s "blithe selfishness." Theree(TM)s Mina, Same(TM)s wise and fragile half sister; Polly, who still beds Sam even after marrying a buffoonish retired Yankee baseball player; Rick Savini, an eccentric yet successful character actor who treats Sam as an equal; and television producer Tess, earnest and bossy, whom Sam meets as he films a wedding. The narrative blossoms and unfolds and expands, Sam becoming wiser and more likable, even as he reconciles with his world at a happily-enough-ever-after homecoming. Unique in concept and execution, with much mention of Orson Welles and Dog Day Afternoon, King's novel is winning.

Superbly imagined lit-fic about family, fathers and film.

eoeKinge(TM)s first novel, about facing reality and failed aspirations, is irreverent and ambitious. Its sweeping scope covers several generations in a humorous and cynical narrative that bounces between decades. Entertaining and thought-provokingee

"Fresh, new, and original."

"Double Feature is a many-headed comic monster. Its concerns are varied; ite(TM)s hilarious first and foremost, but ite(TM)s also a heartbreaking and poignant meditation on the vagaries of art. The sweep of the novel is epic."

"Tartly delicious."

"Wonderfully, organically funny. Owen King has a gift."
-Dave Barry

"Owen King has spun a story with great compassion and humor. And in examining the creative process, it's also horrifyingly accurate."
-Bill Hader, Saturday Night Live

eoeEpic, ambitious, and dedicated to the uncontainablee[King] has a captivating energy, a precision and a fondness for people that are rareeKing loves people as well as words, and he has the reach of a novelistethis is the real stuff, I think, and theree(TM)s plenty of it.e

eoeThe son of horror master Stephen, the younger King delivers a darkly humorous and often heartfelt work that's part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characterse the only scary thing here is the new novelist's potential as a writer.e

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