King of Cuba

By Cristina Garcia
(Scribner, Hardcover, 9781476710242, 256pp.)

Publication Date: May 21, 2013

Other Editions of This Title: Paperback

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Vivid and alive, Cristina García’s new novel transports readers to Cuba, to Miami, and into the heads of two larger-than-life men—a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. In King of Cuba, the National Book Award finalist and author of Dreaming in Cuban, writing at the top of her form with humor and humanity, returns to the territory of her homeland.

El Comandante, an aging dictator, shambles about his mansion in Havana, visits a dying friend, tortures hunger strikers in one of his prisons, and grapples with the stale end of his life that is as devoid of grandeur as his nearly sixty-year-old revolution. Across the waters in Florida, Goyo Herrera, a Miami exile in his eighties, plots revenge against his longtime enemy—the very same El Comandante—whom he blames for stealing his beloved, ruining his homeland, and taking his father’s life. Herrera would gladly “wear chains on his ankles, chisel stones for his remaining days, even become a goddamn Democrat for the gratification of personally expediting the tyrant’s journey back to the Devil, with whom he’d obviously made a pact.”

With her masterful twinning of El Comandante and Herrera, along with the rabble of other Cuban voices that combine to create a chorus of history’s unofficial stories, García plumbs the passions and realities of these two Cubas—on the island and off—and offers a pulsating story that entertains and illuminates.

About the Author

Cristina García is the author of six novels, including the National Book Award finalist Dreaming in Cuban; children’s books; anthologies; and poetry. Her work has been translated into fourteen languages, and she is the recipient of a Guggenheim Fellowship and a Whiting Writers’ Award, among other honors. She has taught literature and writing at numerous universities, and is currently University Chair in Creative Writing at Texas State University-San Marcos. Visit her website at 

Praise For King of Cuba

"A clever, well-conceived dual portrait that shows what connects and divides Cubans inside and outside of the island."

Garcíae(TM)s tremendous empathy for her characters is the magnetic force of her fiction, and her lifeblood theme is the scarring legacy of oppression and brutality, particularly the horrors and absurdities of the Castro regime. In her most honed and lashing novel to date, she goes directly to the source...An ingeniously plotted, boisterous, and brilliantly castigating tale"

"Garcia's writing is laced with candor and wit as she portrays the lives of two men united by the past."

"Darkly hilarious,García braids...parallel stories with consummate ease. With a fine balance of wry absurdity and existential poignancy, García builds not just a tale of the end of days but a snapshot of the past impact and future reverberations of Cubae(TM)s revolutione"a theme more fascinating than ever as the once-isolated island nation opens itself to the world."
-Elle Magazine

"Mordantly funny and insightful...King of Cuba has its roots in long-simmering political strife, but it is finally a novel about the human condition, about aging and loss and undying love for a country that once was paradise, at least in memory."

eoe[A] wry new novel, King of Cubae tell[s] the story of two macho, aging men in alternating voices. These two narratives, interspersed with a chorus of other Cuban voices, combine to define an exhausted country and the bonds between its people.e

eoeGarcia's serio-comic novel gives us all the pop delight of a musical based on major historical events and a devastating portrait of two men and a tyrannical government on the way out. Anyone with an interest in late 20th century politics will find this book a wicked pleasure.e
-Alan Cheuse,

"Fabulously absurdist. Much has been written about Havana vs. Miami... but Garcia’s satirical version of events...feels fresh because Garcia sets the novel in modern times. Passions may have cooled, but the anger remains, ossified but still there. King of Cuba is about wish fulfillment, that long-imagined moment for many exiles when they have a chance to confront the man they blame for ruining their country and so many lives. Garcia delivers the conclusion in style but with a caveat: Revenge isn’t always what you think it might be."
-Amy Driscoll

eoeGarcía takes one of the most fascinating political figures of the 20th century andeimagines him as a mane"and, through him, imagines his country. [She] invests her characters and their memories with rich detail. In the end, her subject mattereis Cuba.e

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