Buck Shots

By Peter Sutherland (Photographer); Lawrence R. Rinder (Text by (Art/Photo Books))
(powerHouse Books, Paperback, 9781576874011, 1pp.)

Publication Date: September 2007

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Description

“The normal response to Peter Sutherland’s photographs of deer would probably be a feeling of sadness, or possibly regret. How is it, one might ask, that nature has become so utterly banal? How depressing that wild animals drink out of storm drains and die beside freeways. Yet deer haven’t exemplified wildness and wonder since the days of Robert Burns: one step above squirrels and raccoons, deer have long been a suburban commonplace. I think there are plenty of natural calamities worth getting riled up about and that photographs might even assist us in doing so; but a deer strapped to the top of a mini-van is not one of them, and to picture this is simply to witness another image from the human comedy.

“Indeed, I find Peter Sutherland’s photographs to be quite funny. His deer exude an infectious self-serious absurdity, going about their deer-like business regardless of obstacle or inconvenience. Their incongruity is exaggerated to the point where these ordinary animals seem to be nothing less than visitors from another world, transfixed and radiating a cosmic light, with bright, sci-fi eyes that seem about to blaze right out of their heads. With an almost total absence of humans, in Sutherland’s images the deer have inherited the earth.”
—Lawrence R. Rinder

Having escaped domestication, deer are on their own, rolling with what comes. They can travel in small packs or they can be alone. They grow long coats when it’s cold; they shed and sit in the shade when it’s hot. They can survive on available food in the woods while the more tame ones will eat Doritos out of your had on the side of the road.

Peter Sutherland doesn't hunt but he understands the thrill of the chase. The deer tend to come out at dusk when the light is just right. They sneak around and crossover into suburban lands. The boundaries between man and deer have blurred. They watch us while we watch them.

The photographs in Buck Shots, Sutherland’s third powerHouse Book, were taken in Colorado, California, Utah, New York, Pennsylvania, Washington, Vermont and New Zealand between 2002 and 2007.




About the Author
Peter Sutherland is a filmmaker and photographer. He worked as a director of photography on Stoked, a documentary film about famed graffiti writer GATOR, directed by Helen Stickler. In May, 2004, he released his first book, Autograf: New York City's Graffiti Writers (powerHouse Books, 2004), to worldwide acclaim. He has shown his work at Bape, Tokyo; colette, Paris; International Center of Photography, New York; and CC room, Berlin; among others. Sutherland is a contributing photographer to magazines such as i-D, VICE, and XXL. He lives and works in New York City.

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