The Imperial Season
America's Capital in the Time of the First Ambassadors, 1893-1918
By William Seale
(Smithsonian Books, Hardcover, 9781588343918, 288pp.)
Publication Date: November 12, 2013
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Between the Spanish American War and World War I, the thrill of America's new international role held the nation's capital in rapture. Visionaries gravitated to Washington and sought to make it the glorious equal to the great European capitals of the day. Remains of the period still define Washington--the monuments and great civic buildings on the Mall as well as the private mansions built on the avenues that now serve as embassies.
The first surge of America's world power led to profound changes in diplomacy, and a vibrant official life in Washington, DC, naturally followed. In the twenty-five year period that William Seale terms the "imperial season," a host of characters molded the city in the image of a great world capital. Some of the characters are well known, from presidents to John Hay and Uncle Joe Cannon, and some relatively unknown, from diplomat Alvey Adee to hostess Minnie Townsend and feminist Inez Milholland. The Imperial Season is a unique social history that defines a little explored period of American history that left an indelible mark on our nation's capital.
WILLIAM SEALE is a historian and the author of The White House: History of an American Idea and several other books on state capitals, courthouses, and historic restoration. He is the editor of White House History, the journal of the White House Historical Association.
White House History editor Seale (The Garden Club of America's One Hundred Years of a Growing Legacy, 2013, etc.) takes the reader on a tour through the nation's corridors of power during the decades when Washington, D.C., emerged as a truly world capital.
The author has written extensively about the White House and many other historical American buildings. Here, he weaves together separate narrative threads about international affairs, diplomatic and political history, culture, architecture and city building. His starting point is April 11, 1893, the day that British ambassador Sir Julian Pauncefote presented his credentials to President Grover Cleveland. The upgrade from minister plenipotentiary to ambassador meant the U.S. president would henceforth be recognized as a head of state like others. “Quietly, symbolically,” writes Seale, “the White House ceremony marked the beginning of a new age for the mighty North American democracy.” The author traces the changes that flowed from such a development, while introducing the people who made it all possible. The U.S. moved to assert its new position and prepared to establish its global power in partnership and competition with the U.K. and against the Spanish. Men like Alvey Adee, a long-serving official in the State Department, John Hay, Lincoln's former private secretary, and historian and journalist Henry Adams formed a circle of friendship, which helped the change. Meanwhile, the nation's architects believed America's new global position merited the reassessment of questions of the design of the capitol building and the kinds of architectural themes that would dominate public building. Officials dusted off Pierre Charles L'Enfant's original designs and had marble from Vermont and elsewhere shipped into the capital to build Union Station, the Smithsonian Institution and many other iconic structures. The capital's social life and fashions were transformed accordingly.
A well-polished, lustrous piece of American history.
THE WALL STREET JOURNAL
"In "The Imperial Season: America's Capital in the Time of the First Ambassadors, 1893-1918," William Seale takes us on an urban safari into Washington's first gilded age, from the 1890s to World War I, when "world power, if yet untested, presented a wholly new context for the United States," turning the poky, dusty city into an aspiring rival to the capitals of Europe. Mr. Seale's wise and witty exploration of an earlier era's intersection of power and pretension comes at an apt time, as surging wealth, breakneck gentrification and cultural renascence are today once again transforming the nation's capital. " Fergus M. Bordewich