Born Under Saturn

The Character and Conduct of Artists: A Documented History from Antiquity to the French Revolution

By Margot Wittkower; Rudolf Wittkower; Joseph Connors (Introduction by)
(New York Review of Books, Paperback, 9781590172131, 344pp.)

Publication Date: November 28, 2006

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Description

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.”

Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.

As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists’ lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts.


“This book is fascinating to read because of the abundant quotations which bring to life so many remarkable
individuals.”–The New York Review of Books




About the Author
RUDOLF WITTKOWER (1901-1971) was a German-American art historian. He was on the staff of the Warburg Institute, London, and became professor at the University of London. He then headed the Department of Fine Arts and Archaeology at Columbia. His highly original works in English include "Architectural Principles in the Age of Humanism," "Art and Architecture in Italy, 1600--1750," "Essays in the History of Architecture," "Essays in the History of Art," and "Baroque Art: The Jesuit Contribution."
MARGOT WITTKOWER (1902-1995) was born in Berlin and established herself as an interior designer. After moving to London with her husband, she became an expert on neo-Palladian architecture. She collaborated on a number of books with her husband, including "Born Under Saturn" and "The Divine Michelangelo."
JOSEPH CONNORS is past Director of the American Academy in Rome, and currently is Professor of Art History, Columbia University.

Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.

Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010.


Praise For Born Under Saturn

"The Wittkowers' entertaining and micro-informed study dissects the pervasive image of the moody, alienated artist. Cautious and provocative, presuming to balance theory and anecdote by happily indulging the latter, Born Under Saturn reads like Vasari's Lives of the Artists rewritten as an appendix to Burton--a colorful tour of eccentricity and genius, populated by all manner of rogues, gentlemen, pennypinchers, hypochondriacs, and enduring masters. Every page has a diverting tale, and the cumulative effect sets the reader's mind reeling." --Modern Painters

“[The authors] have had a wonderful time and so should the reader…Their feat is impressive enough as it stands in this giant popcorn-ball of a book, where surely all the anecdotes and existing documents about artists over a period of some 2,000 years have been stuck together with the syrup of scholarship…into a mass at once unusual, tasty and nourishing...Born Under Saturn is good reading…”–John Canaday, The New York Times Book Review

“Artists are just like people, only more so is the implied conclusion of this delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.”–The New York Times (Review of Notable Books of the Year, 1963)

“The Wittkowers…have filled this authoritative contribution to the understanding of creative man with dozens of good stories about great artists and freaks, fools and men of destiny…The blatant, the incomparable, the boorish, the bland and the bizarre pass under review here in an enormously interesting parade.”–Charles Poore, The New York Times

“[F]ascinating to read because of the abundant quotations which bring to life so many remarkable individuals”–The New York Review of Books

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