New York Review of Books, Paperback, 9781590173640, 165pp.
Publication Date: December 7, 2010
into the city s most prestigious literary salons. His marriage in 1888 to Marie Morneau brought him a large dowry and allowed him to devote himself to life as an "homme de lettres "and to found the literary review "Mercure de France." For the rest of his short life Renard would spend the warmer months in Chitry, where like his father before him he became mayor. In Paris he lived the life of a member of the Academie Goncourt and counted among his friends Alphonse Daudet, Edmond de Goncourt, Anatole France, Paul Claudel, and Sarah Bernhardt. In addition to "Poil de carotte "and "Histoires naturelles," Renard is best known for his five-volume "Journal," cited as an influence by authors as diverse as W. Somerset Maugham, Susan Sontag, Donald Barthelme, and Samuel Beckett. Among his other works are "Le plaisir de rompre," "L ecornifleur," and "Huit jours a la campagne." Douglas Parmee (1914 2008) was a lecturer in modern languages at Cambridge and a Lifetime Fellow of Queens College. He translated many works of classic and contemporary literature from French, Italian, and German, receiving the the Scott Moncrieff Prize for French translation in 1976. NYRB Classics publishes his translations of "The Child "by Jules Valles and "Afloat "by Guy de Maupassant and in 2011 will publish his translation of "Irretrievable "by Theodor Fontaine. Pierre Bonnard (1867-1947) was among the most iconic and original Post-Impressionist French painters, and a founding member of the avant-garde group Les Nabis."
“Renard’s way with the detail is unforgettable. Renard writes about spiders, about the moon, and the poetry he makes from the things his eyes tell him is joyful.”
—Michael Silverblatt, Bookworm
“Renard’s people—and animals and plants, too—are not reflections of Renard. They are not metaphors for his moods. They are not steps in his argument. They are as close as he can come to describing being someone or something not Renard. Renard’s truthfulness is the truthfulness of a scrupulous, disinterested witness. You trust him as you trust a Quaker.”
—Naomi Bliven, The New Yorker
“directly, or indirectly, Renard is at the origin of contemporary literature.” —Jean-Paul Sartre
"There is no real equivalent for the French word esprit which is somewhere between and beyond humor and wit and which is essentially what these short commentaries on the bird and animal world display." —Kirkus Reviews
“The farmyard beasts, hunted game, insects and birds of the Nièvre were world enough for him [Renard]. Sometimes their activities add up to a story, sometimes an extended observation; or they might just provide a joyful moment—for instance, when a kingfisher comes and perches on his fishing-rod (‘I was swelling with pride at having been taken for a tree’). And on almost every page there are brilliant descriptions and comparisons.” – Julian Barnes, London Review of Books