When the Night

When the Night Cover

When the Night

By Cristina Comencini; Marina Harss (Translator)

Other Press (NY), Paperback, 9781590515112, 244pp.

Publication Date: April 24, 2012

Description

Manfred, a surly mountaineer recently abandoned by his wife, rents the upstairs apartment in his home in the Dolomites to Marina, a woman from the city, and her difficult young son. Deeply suspicious by nature, especially of women, Manfred spies obsessively on Marina, in whose shortcomings as a mother he finds resonances of his own mother’s desertion of him in childhood. When Marina’s frustration over her son’s refusal to eat or sleep leads her to harm the child, Manfred steps in, and the silent power struggle between them escalates. Yet Manfred’s attraction to Marina is as powerful as his distrust. In this alternately shocking and moving novel, Cristina Comencini has created a complex, psychologically profound portrait of two damaged, vulnerable people and the painful bond that develops between them as they are drawn into each other’s worlds.



About the Author
Cristina Comencini is an Italian novelist, screenwriter, and director. Her 2005 film, based on her novel "La bestia nel cuore, "was nominated for an Academy Award for Best Foreign Language Film. She is currently finishing her film adaptation of "When the Night."

Marina Harss studied comparative literature and translation at Harvard and New York University. Her translations include Pier Paolo Pasolini's "Stories from the City of God "(Other Press), as well as "Conjugal Love "and "Two Friends, "both by Alberto Moravia. Her translations have appeared in "The Latin American Review, Bomb, "and "Brooklyn Rail."


Praise For When the Night

“Cristina Comencini recounts the shocks to the heart, the pain, and the unhappiness of lives wounded by destiny.” —La Stampa
 
“Comencini has constructed a novel that is as hard as the mountains in which it is set and as implacable as a true love story should be.” —Elle (France)
 
“Comencini writes the story of generations in an Italy in flux, of family relations, of solitude and love.” —La Reppublica

"Comencini is adept at creating an extraordinary portrait of psychologically scarred characters.” –Kirkus (starred review)

“Comencini’s writing is as clean, spare, and intimidating as the novel’s alpine setting. Her terse conversations and taciturn characters reveal weakness and desperation while trying to show strength and independence. Their hearts are closed, because they never found the right person who could open them. Until they meet each other.” –The Coffin Factory

"Comencini knows how to tell a gripping story, slowly churning the primary tension with measured restraint...When the Night is an engaging read, best for those looking for something with the hint of a psychological thriller or, perhaps, seeking to imagine the crisp air of Italy’s Dolomites." –World Literature Today

When the Night is a deep psychological tale that looks into the souls of two mentally wounded warriors who fear relationships because they have failed at them.” –The Midwest Book Review

“In spare, exact prose Cristina Comencini lets this story unfold against an Alpine setting that is so vivid it, too, becomes a character in this strangely compelling novel. The attraction between these two people…begins to have an edge as sharp as the winter, Alpine air, and their mental observations about each other glitter with as many facets as the Alpine ice.” –Arts Fuse

“Comencini deftly handles rapid shifts in point of view that illuminate the misunderstandings, missed opportunities and unspoken desires that dog these two lonely souls. When the Night is a haunting portrait of wives, husbands, mothers — and the lingering effects even small decisions and actions can have throughout a life.” –Tulsa Book Review

"Comencini builds the tension between Manfred and Marina with a master’s precision: the yearning, the terror, the desperation, and the unbridled passion of two lonely, disparate souls. The meeting, finally, of these improbable lovers is so torturous, so exquisitely painful, that like the lovers, the reader has cast aside all pretensions of restraint. This is a blinding, brilliant exercise in the absurd perfection and healing power of human relationships." -Curled Up with a Good Book