Friends with Boys

By Faith Erin Hicks; Faith Erin Hicks (Illustrator)
(First Second, Paperback, 9781596435568, 224pp.)

Publication Date: February 28, 2012

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Description

A coming-of-age tale with a spooky twist!

Maggie McKay hardly knows what to do with herself. After an idyllic childhood of homeschooling with her mother and rough-housing with her older brothers, it’s time for Maggie to face the outside world, all on her own. But that means facing high school first. And it also means solving the mystery of the melancholy ghost who has silently followed Maggie throughout her entire life. Maybe it even means making a new friend—one who isn’t one of her brothers.

Funny, surprising, and tender, Friends with Boys is a pitch perfect YA graphic novel full of spooky supernatural fun.




About the Author

FAITH ERIN HICKS is a writer and artist in Halifax, Canada. Her first two graphic novels, Zombies Calling and The War at Ellsmere, were published by SLG Publishing. Most recently, she illustrated First Second’s Brain Camp. Hicks has three brothers and was homeschooled until high school. She has never seen a ghost. A Q&A WITH FRIENDS WITH BOYS AUTHOR FAITH ERIN HICKS How much of Friends With Boys is inspired by your life?
I used my own life as a starting point for Friends With Boys. I have three brothers (although I am the oldest, not the youngest) and I was homeschooled until high school. However, I have never seen a ghost. I put a lot of the emotional chaos I felt going into high school for the first time into Friends With Boys. The main character's first day at school freak-out is very similar to what happened to me on my first day. I remember running away from the school and going to my local library and hiding there until my parents came to get me. It's funny, now that I think about it, being so scared of my peers. Everyone's scared in high school, and everyone thinks they're the only one. 
You grew up without a TV. Was that weird for you? 
It was pretty weird. I don't think it's such a big deal now, because now there is the internet, but when I was a kid, the internet was just text on a black screen and TV was the great cultural touchstone. Not having a TV meant no watching GI JOE or Transformers (I did manage to sneak in some My Little Pony, but the episodes I saw were few and far between), so I didn't have that immediate connection to kids my age. It's hard to play GI JOE or My Little Pony when you're not aware of the plotlines. I think TV is a pretty amazing storytelling medium, so I'm not anti-TV by any stretch of the imagination, but I have a huge cultural gap in my knowledge. I don't look back on childhood shows like Transformers and feel nostalgic towards them; I watch them as an adult and they look terribly animated and written and they aren't fun. The original My Little Pony, however, remains awesome. 
Who are your favourite creators and how do they influence your work? 
On this side of the globe, I really enjoy the work of Jeff Smith (Bone), Raina Telgemeier (Smile), Mike Mignola/John Arcudi/Guy Davis (BPRD), and Nate Powell (Swallow Me Whole). Elsewhere, I love the work of Naoki Urasawa (Pluto), Hiromu Arakawa (Fullmetal Alchemist) and Claire Wendling. 
It seems a disproportionally large number of cartoonist come from Canada. Is there something in the water up there?
Yes. At birth, all Canadian children are brought before the great Wheel of Canadian Destiny, to spin for our future. There are various specific Canadian careers on the Wheel of Destiny, such as cartoonist, comedian, animator, hockey player, hockey fan and Saturday Night Live producer. I don't actually remember this happening (I was a baby, after all), but I assume my Wheel of Canadian Destiny spin landed me on Cartoonist, and here I am. I'm pretty sure the Wheel of Canadian Destiny only has about six or seven options on it, which is why 1/6th of the country is cartoonists. A huge amount, for sure. 
Why did you start drawing comics?
I started making comics because it seemed like fun creative outlet, and putting them online was easy. I'd always been very attracted to the medium (I grew up reading Asterix and Tintin, like all good Canadian children), but there weren't many comics that I had access to that seemed to be made with me in mind. So I started making my own comics, the comics I wanted to read, even though I was absolutely terrible at them! I didn't even know how to draw when I first started making comics. And now here I am 12 years and 1800 comic pages later, making my living as a cartoonist ... it is something of a surprise. 

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