Big Breasts and Wide Hips

By Mo Yan
(Arcade Publishing, Paperback, 9781611453430, 532pp.)

Publication Date: January 2012

List Price: $17.95*
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Description
In his latest novel, Mo Yan--arguably China's most important contemporary literary voice--recreates the historical sweep and earthy exuberance of his much acclaimed novel "Red Sorghum." In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book's central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy--the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.
Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan's searing vision of twentieth-century China.



About the Author
Mo Yan, winner of the 2012 Nobel Prize for Literature, has published dozens of short stories and novels in Chinese. His other English-language works include "The Garlic Ballads", "The Republic of Wine, Shifu: You'll Do Anything for a Laugh", "Big Breasts & Wide Hips", and "Life and Death Are Wearing Me Out".

In awarding him the Nobel Prize the Swedish Academy said: Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel Garcia Marquez, at the same time finding a departure point in old Chinese literature and in oral tradition.

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