Definitely Maybe

By Arkady Strugatsky; Strugatsky Boris; Antonina W. Bouis (Translator)
(Melville House, Paperback, 9781612192819, 160pp.)

Publication Date: February 4, 2014

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Description

In its first-ever unexpurgated edition, a sci-fi landmark that's a comic and suspenseful tour-de-force, and puts distraction in a whole new light: It's not you, it's the universe!

Boris and Arkady Strugatsky were the greatest science fiction writers of the Soviet era: their books were intellectually provocative and riotously funny, full of boldly imagined scenarios and veiled—but clear—social criticism. Which may be why Definitely Maybe has never before been available in an uncensored edition, let alone in English.

It tells the story of astrophysicist Dmitri Malianov, who has sent his wife and son off to her mother’s house in Odessa so that he can work, free from distractions, on the project he’s sure will win him the Nobel Prize.

But he’d have an easier time making progress if he wasn’t being interrupted all the time: First, it’s the unexpected delivery of a crate of vodka and caviar. Then a beautiful young woman in an unnervingly short skirt shows up at his door. Then several of his friends—also scientists—drop by, saying they all felt they were on the verge of a major discovery when they got . . . distracted . . .
Is there an ominous force that doesn’t want knowledge to progress? Or could it be something more . . . natural?

In this nail-bitingly suspenseful book, the Strugatsky brothers bravely and brilliantly question authority: an authority that starts with crates of vodka, but has lightning bolts in store for humans who refuse to be cowed.




About the Author

Arkady (1925–1991) and Boris (1933–2012) Strugatsky were the most acclaimed and beloved science fiction writers of the Soviet era. The brothers were born and raised in Leningrad, the sons of a critic and a teacher. When the city was besieged by the Germans during World War II, Arkady and their father, Natan, were evacuated to the countryside. Boris remained in Leningrad with their mother throughout the war. Arkady was drafted into the Soviet army and studied at the Military Institute of Foreign Languages, graduating in 1949 as an interpreter from English and Japanese. He served as an interpreter in the Far East before returning to Moscow in 1955. Boris studied astronomy at Leningrad State University, and worked as an astronomer and computer engineer. In the mid-1950s, the brothers began to write fiction, and soon published their first jointly written novel, From Beyond. They would go on to write twenty-five novels together, including Roadside Picnic, which was the basis for Andrei Tarkovsky’s film Stalker; Snail on the Slope; Hard to Be a God; and Monday Begins on Saturday, as well as numerous short stories, essays, plays, and film scripts. Their books have been translated into multiple languages and published in twenty-seven countries. After Arkady’s death in 1991, Boris continued writing, publishing two books under the name S. Vititsky. Boris died on November 19, 2012, at the age of seventy-nine. The asteroid 3054 Strugatskia, discovered in 1977, the year Definitely Maybe was first published, is named after the brothers.

Antonina W. Bouis has translated many Russian writers, including Yevgeny Yevtushenko, Tatyana Tolstoya, Sergei Dovlatov, and Andrei Sakharov.




Praise For Definitely Maybe

Definitely Maybe, further proof that knowledge can be a dangerous game, is a work of towering wit and intelligence."
NPR, Best Books of 2014

“Like the best speculative fiction, Definitely Maybe doesn’t show its age: the fundamental questions it addresses are timeless — and effectively and entertainingly framed by the Strugatsky brothers. It remains an intriguing, unsettling work.”
Complete Review

“A great truth is this: Some discoveries, like the sting of a painful memory, do a number on your psyche. Definitely Maybe accomplishes just that… You’ll laugh, you’ll look around suspiciously, you’ll throw the text across the room. You’ll pick it back up and go on, gladly welcoming the distraction.”
NPR

“One of the Strugatsky brothers is descended from Gogol and the other from Chekhov, but nobody is sure which is which. Together they have now proved quite definitely that a visit from a gorgeous blonde, from a disappearing midget, from your mother-in-law, and from the secret police, are all manifestations of a cosmic principle of homeostasis, maybe. This is definitely, not maybe, a beautiful book.”
—Ursula K. Le Guin

“Surely one of the best and most provocative novels I have ever read, in or out of sci-fi.”
—Theodore Sturgeon

“Provocative, delicately paced and set against a rich physical and psychological background, this is one of the best novels of the year.”
—Chicago Sun-Times

Praise for Roadside Picnic

“It’s a book with an extraordinary atmosphere—and a demonstration of how science fiction, by using a single bold central metaphor, can open up the possibilities of the novel.”
—Hari Kunzru, The Guardian

“Gritty and realistic but also fantastical, this is a novel you won’t easily put down—or forget.”  —io9

“It has survived triumphantly as a classic.”
—Publishers Weekly

Praise for the Strugatsky brothers

“The Strugatsky brothers demonstrate that they are realists of the fantastic inasmuch as realism in fantasy betokens a respect for logical consequence, an honesty in deducing all conclusions entirely from the assumed premises.”
—Stanisław Lem

“[In writing Gun, with Occasional Music], I fused the Chandler/Ross MacDonald voice with those rote dystopia moves that I knew backwards and forwards from my study of Ballard, Dick, Orwell, Huxley, and the Brothers Strugatsky.”     
—Jonathan Lethem

“Successive generations of Russian intellectuals were raised on the Strugatskys. Their books can be read with a certain pair of spectacles on as political commentaries on Soviet society or indeed any repressive society.”
—Muireann Maguire, The Guardian

“Their protagonists are often caught up in adventures not unlike those of pulp-fiction heroes, but the story line typically veers off in unpredictable directions, and the intellectual puzzles that animate the plots are rarely resolved. Their writing has an untidiness that is finally provocative; they open windows in the mind and then fail to close them all, so that, putting down one of their books, you feel a cold breeze still lifting the hairs on the back of your neck.”
—The New York Times

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